Tarlan Rasulov

regional managing editor

t.rasulov@thetheatretimes.com

Tarlan Rasulov is a theater director, founder of the dOM independent theater company (Azerbaijan), translator, manager, producer, writer and performance scholar. He is a PhD Candidate in Theater Studies of the University of Culture and Arts of Azerbaijan. Head of the laboratory of the Experimental Theater and Consultant of Azerbaijan Theater Union. Tutor in Azerbaijan State University of Culture and Arts. Member of EURODRAM-European network for drama in translation, East European Performing Arts Platform, Guild of Professional Filmmakers of Azerbaijan, Azerbaijan Theater Union. Participant of many theatrical conferences and festivals. His immersive performance "Limbo" (dedicated for World Refugee Day) won a special prize "For the development of a new stage space and ways of communication with the audience" at the VII International Festival of Turkic-speaking theaters "Tuganlyk" in 2019. Selected projects: Youth Arts Festival (2001); “Say NO now” TV action for performing youth activity against AIDS with UNISEF and SPACE TV (2004); Anti-terror action with “NEW WAVE” Writers’ Union (2007); Theatre in Young Offenders’ Center with Open Society Institute Foundation (2007); “Against Human Traffic” with OSCE and Ministry of Internal Affairs of Azerbaijan (2007); AT THE BORDER performance with Adam Mickiewicz Institute (2013); THE DOLL’S HOUSE performance with ALOFF Theatre (UK) (2016); DO IT BETTER THAN ME - Community Theatre project for disabled people (2016); “ERROR” (2016–2017); “IN THE SUN” (Forum theatre)(2017-2018); Breaking Bad News (UK) (2019); “Blast from Past” for YARAT theatre club (2021); “A Fellow Traveler on The Road to Hell” at ARTIM PROJECT SPACE (2022), etc.

Touching the Azerbaijani Theatre: From Ritual to Spontaneity

Posted by Tarlan Rasulov | 18th Mar 2023 | Azerbaijan, Directing, Dramaturgy, Essay

The term of ritual has always been an object for endless discussions amongst theologians, cultural...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

Truth and Reconciliation in “Under the Shade… by Verity Healey 2nd January 2026
Dostoevsky on Stage. “The Mutt” by Anoushka… by Vassili Schedrin 7th December 2025
“L’amor venia amb taxi” (Love Arrived By… by Maria Delgado 28th December 2025
Witty Revival Of 2022 Pollesch “Liebe, Einfach… by Daniel Meyer-Dinkgräfe 12th December 2025
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
The Theater of Metaverse by Hayel Ali Al-Mathabi 10th May 2025
“With Ruby and I” – review –… by Verity Healey 3rd January 2026
“El entusiasmo” (The Enthusiasm) at… by Maria Delgado 26th December 2025
Faustin Linyekula’s Missing Bodies: “My body,… by Ilinca Todoruţ 26th December 2025
Tom Block Sparks Arts Activists by Marcina Zaccaria 11th December 2025

Recent Posts

Leading with Risk, Trust, and Intuition: An Exclusive Interview with Director Charles Newell on Berlin’s Rehearsal Room 7th January 2026
Writing Across Taiwan and Macau: An Interview with Taiwanese Playwright Chiao-Jung Chen 6th January 2026
Echoes of a Crumbling Republic: Review of “Berlin” at Chicago’s Court Theatre (2025) 4th January 2026
“Leili And Majnun:” An Ancient Love Story For Modern Times 3rd January 2026
“With Ruby and I” – review – more McDonagh than Robinson 3rd January 2026
Truth and Reconciliation in “Under the Shade of a Tree I Sat and Wept” – Kosovo 2nd January 2026
Thought-Provoking Crime Drama And Star Vehicle: “Nebenan” At The Renaissance Theater, Berlin 2nd January 2026
Learning To Listen, Struggling To Hear: Katie Mitchell’s “Cow / Deer” 2nd January 2026
Gender Allows A Different Perspective On Ibsen’s “Der Volksfeind” (“An Enemy Of The People”) In Bremerhaven 1st January 2026
What Happens In Mecca, Stays In Mecca: “Pilgrimage” By Humaira Ghilzai And Bridgette Dutta Portman 31st December 2025

SEARCH OUR ARCHIVES

Pin It on Pinterest