“The Interrupted Dream” by Hong Kong’s Zuni Icosahedron in Wrocław, Poland
Tang Xianzu’s sixteenth-century classic, Peony Pavilion (1598), is a play about boundaries and...
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		Rossella Ferrari is Professor of Chinese Studies at the University of Vienna. She specializes in the performance cultures of the Chinese-speaking region, focusing particularly on contemporary experimental theatres and transnational collaborations within the Sinophone region and across East Asia. Her research interests include avant-garde theory, interculturalism, transnationalism, adaptation, intermediality, and inter-Asian studies. She is the author of Pop Goes the Avant-Garde: Experimental Theatre in Contemporary China (Seagull Books/University of Chicago Press, 2012), the first English-language monograph on Chinese experimental theatre, and of Transnational Chinese Theatres: Intercultural Performance Networks in East Asia (Palgrave, 2020). She is co-editor (with Ashley Thorpe) of Asian City Crossings: Pathways of Performance through Hong Kong and Singapore (Routledge, 2021). She holds a PhD in Chinese Studies from SOAS, University of London.
Posted by Rossella Ferrari | 1st Oct 2022 | Adaptation, China, Directing, Festivals, Hong Kong, Poland, Review
Tang Xianzu’s sixteenth-century classic, Peony Pavilion (1598), is a play about boundaries and...
Read MorePosted by Rossella Ferrari | 22nd Nov 2020 | China, Hong Kong, News, Singapore, Taiwan, Transcultural Collaborations
I have hesitated for a while to engage with the increasingly ubiquitous “[insert own subject...
Read MorePosted by Rossella Ferrari | 15th Feb 2017 | China, Essay
Obituaries for the avant-garde proliferate. Critics, academics and cultural observers in the...
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