Romy König

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Sasha Waltz: The Opera Choreographer

Posted by Romy König | 11th Jun 2019 | Germany, News, Theatre and Dance, Theatre and Opera

Choreographer Sasha Waltz has added a chapter to the history of dance with choreographic opera. It...

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Staging the Political

Posted by Romy König | 10th Jun 2019 | Germany, News, Theatre and Politics

With its three transformable stages, the “Schaubühne at Lehniner Platz” is the largest theatre in...

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Interview With Sasha Marianna Salzmann: The Playwright

Posted by Romy König | 22nd May 2019 | Germany, Interview, Playwriting

When asked about her background, she tends to respond, “I come from the theatre:” playwright and...

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Yael Bartana: The Visual Activist

Posted by Romy König | 21st Apr 2019 | Israel, News

Video artist Yael Bartana blurs the boundaries between fact and fiction: her pieces are powerful...

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Cultural Education: “We Do Not Dispense School Knowledge”

Posted by Romy König | 15th Feb 2019 | Education, Germany, Interview, Theatre for Young Audiences

“Politik im Freien Theater” is a free theatre festival where youngsters address...

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She She Pop: Politely But Firmly To The Boundary Of Shame

Posted by Romy König | 9th Dec 2018 | Germany, Immersive Theatre, Review, Theatre and Politics

For a second, the man stares aghast. His son is on stage talking about some very personal things,...

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Most Popular Posts

Santiago’s Teatro a Mil 2026: theatre, democracy and… by Maria Delgado 4th February 2026
NYC’s Under The Radar Festival Uses Lessons From The… by Victoria Zavyalova 9th February 2026
Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
Raising Fists and Sharing Bread: Tiziano Cruz’s… by Yizhou Zhang 5th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
In Oldenburg’s “The Tempest,” Trusting… by Daniel Meyer-Dinkgräfe 6th February 2026
Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
The Trans Excellence of Faggotica by Morgan Skolnik 13th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026

Recent Posts

Isolation, Consumer Desire and the Human Spirit: A Review of “The Chair and the Cello” 2nd March 2026
Picasso’s “Barber” At The Spanish National Theatre 24th February 2026
Olga Braga’s “Donbas” at Theatre 503: Complex Account Of The Start Of The Ukraine War Is Deeply Humanistic 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks 19th February 2026
Terence Rattigan’s “Man and Boy” at the National Theatre: Rare 1960s Rattigan Play Gets A Meta-Theatrical Revival 19th February 2026
“Hamlet²” (“Amleto²”) 17th February 2026
The Trans Excellence of Faggotica 13th February 2026
“Between.Europe: Theatre In Romania.” Conversations And Visual Theatrical Exchanges Between Romania And Poland 10th February 2026
NYC’s Under The Radar Festival Uses Lessons From The Past To Shape The Future 9th February 2026
Frantic Assembly’s “Lost Atoms” at the Lyric Hammersmith: 30th Anniversary Show Is About Love But Its Story Is Predictable And Bland 9th February 2026

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