“Hamstrung.” Yorick’s Untold Story
Hamlet, along with A Midsummer Night’s Dream, The Tempest and Macbeth, are probably the...
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Margaret Rose
“The Outrun”
Amy Liptrot’s bestselling memoir, The Outrun (2016) has recently been genre hopping. In January...
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52nd Venice Theatre Biennale (15-30 June). Gob Squad’s “Elephants In Rooms” And “Creation (Pictures For Dorian)”
This year’s Theatre Biennale (15 to 30 June), entitled, Niger and Albus (Black and White), sees...
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52nd Venice Theatre Biennale (15-30 June). Tim Crouch’s “Truth’s A Dog Must To Kennel”
After Brexit, UK productions very rarely play in Italy, but Biennale theatre directors Gianni...
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“Bérénice” at Milan’s FOG Festival
Together with Wayne McGregor’s dance piece, UniVerse: A Dark Crystal Odyssey, Romeo Castellucci’s...
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Milan’s FOG Festival
Milan’s international multidisciplinary performance art festival FOG, featuring theatre, music,...
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Ascanio Celestini’s “Rumba. The Donkey and the Ox”
Writer, actor, and director Ascanio Celestini is one of Italy’s most celebrated theatrical...
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Prison Shakespeare at Milan’s Young Offenders Institute
Since 2015 my theatre studies colleague, Cristina Cavecchi, and I have been leading Shakespeare...
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Contemporary New Play Development in Italy: A Playwright Shares Her Experience
“While Italy this year is celebrating 150 years as a single nation state, in many fields any sense of unity is still tenuous. Theatre and contemporary playwriting are no exceptions to this rule.” – Margaret Rose
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