Lisa Moravec

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You Came to See the Obscene?—”2020: Obscene”

Posted by Lisa Moravec | 13th Mar 2023 | Directing, Greece, Review, Theatre and Dance, Theatre and Gender

Alexandra Bachzetsis’s latest group performance, 2020: Obscene, estranges the word obscene from...

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Bodily Dressage: Cruel and Optimistic Pleasures of the Speaking and Moving Body

Posted by Lisa Moravec | 20th Dec 2019 | Austria, Festivals, Germany, Theatre and Dance

Researcher and critic Lisa Moravec explores how two performances of this year’s ImPulsTanz,...

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“Inchoate Buzz:” A Testing Ground for Interaction and Interdisciplinarity

Posted by Lisa Moravec | 19th Dec 2019 | Chile, London, Review, Theatre and Dance, United Kingdom

How far can bodily interaction amongst the audience members, with performance objects, and with...

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Most Popular Posts

“Catarina and the Beauty of Killing Fascists” at the… by Maria Delgado 15th August 2024
Starlight Express The Musical: 40 Years in The Orbit by Lisa Monde 14th November 2024
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Mozart! The Gem of European Musical Theatre by Lisa Monde 8th October 2024
Back to the Updated Future: Rock Opera… by Lisa Monde 21st July 2024
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“The Maids” by Genet: The Logic of the Paradox by Lisa Monde 2nd January 2024
Shakespeare In Iraq: An Interview With Dr. Samir Talib by Amir Al-Azraki 9th November 2024
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“Flower Sajza” at The National Experimental Theater of Tirana- Kosovo Albania Theatre Showcase 18th November 2024
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