Jenna Lourenco

regional managing editor

jennalourenco1@gmail.com

Jenna Lourenco, MFA, is an autistic, Boston area-based theatremaker, educator, and researcher, who usually focuses her writing on the representation of autism in theatre. Jenna is an actor, singer, costumer/costume designer, director, producer, and dramaturg.

A Stinging Critique of the American Dream Underlies “The Queen of Versailles”

Posted by Jenna Lourenco | 23rd Aug 2024 | Boston, Dramaturgy, Essay, Musical Theatre, United States of America, Worldwide

Spoiler Caution: This essay contains significant plot details from The Queen of Versailles. The...

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Neurodivergent New Play Series Resumes Schedule for 2024

Posted by Jenna Lourenco | 18th Feb 2024 | Essay, New York, Theatre and Disability, United States of America

The Neurodivergent New Play Series, produced by Piccione Arts, is set to resume its regular third...

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Groundbreaking Autistic-Led Production of “A Curious Incident of the Dog in the Night-Time” at A Common Thread Theatre Company in Framingham, MA

Posted by Jenna Lourenco | 21st Oct 2023 | Boston, Interview, Theatre and Disability, United States of America

When Christopher Boone from A Curious Incident of the Dog in the Night-Time was first introduced...

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EPIC Players Creates Employment and Training Opportunities for Autistic & Neurodivergent Theatre Makers

Posted by Jenna Lourenco | 28th May 2022 | Education, Musical Theatre, New York, News, Theatre and Disability, United States of America

Autistic adults in the United States are unemployed at estimated rates of more than 80%. Those who...

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A Theatre Of Boredom And Theatrical Distrust (André… by S.E. Gontarski 4th December 2025
Dostoevsky on Stage. “The Mutt” by Anoushka… by Vassili Schedrin 7th December 2025
“A Working Class Hero” – Identity… by Verity Healey 2nd December 2025
Tanika Gupta’s “Hedda” at the Orange… by Aleks Sierz 30th October 2025
The Queen of Versailles Musical or the Funeral of… by Lisa Monde 29th October 2025
Jack Holden’s The Line of Beauty at the Almeida… by Aleks Sierz 2nd November 2025
The 12th Dangdai Xiao Juchang Xiqu Jie (Contemporary… by Xunnan Li And Yuan Du 2nd December 2025
James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025
Adaptations On The German Stage (2): “Der… by Daniel Meyer-Dinkgräfe 28th November 2025
Evil Can Appear Beautiful by Margaret Rose 23rd November 2025

Recent Posts

“The Phantom Of The Opera” Returns To Mexico: A Reinvented Masterpiece 12th December 2025
Witty Revival Of 2022 Pollesch “Liebe, Einfach Außerirdisch” In Berlin 12th December 2025
Tom Block Sparks Arts Activists 11th December 2025
Emma Dante’s “The Angel of the Hearth” 10th December 2025
Dostoevsky on Stage. “The Mutt” by Anoushka Nesterova and Elena Che at the IATI Theater, New York 7th December 2025
A Theatre Of Boredom And Theatrical Distrust (André Gregory, Chekhov And Beckett) 4th December 2025
Biography And Politics: “Der Zauberer Von Öz – Eine Fußballtragödie“ In Bremen 4th December 2025
“A Working Class Hero” – Identity And Class at Voila! Theatre Festival 2nd December 2025
The 12th Dangdai Xiao Juchang Xiqu Jie (Contemporary Black Box Xiqu Festival当代小剧场戏曲节) by Star Theatres (繁星戏剧村) in Beijing 2025 2nd December 2025
Adaptations On The German Stage (2): “Der Schimmelreiter” In Oldenburg 28th November 2025

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