School Camp
Emmanuelle Mattana’s Trophy Boys is a cheeky debut play that’s a lot of fun to watch, even if it...
Read MorePosted by Jonathan Kalb | 19th Jul 2025 | Review, Theatre and Gender, United States of America
Emmanuelle Mattana’s Trophy Boys is a cheeky debut play that’s a lot of fun to watch, even if it...
Read MorePosted by Jonathan Kalb | 4th Jul 2025 | Review, Theatre and Politics, United States of America
Abby Rosebrock’s Lowcountry, a new play directed by Jo Bonney at the Atlantic Theater, begins with...
Read MorePosted by Jonathan Kalb | 10th Jun 2025 | Review, Theatre and Politics, United States of America
Angry Alan is an ickily pointed cautionary tale about an ordinary guy who falls into the rabbit...
Read MorePosted by Jonathan Kalb | 8th Jun 2025 | Review, Theatre and Age, United States of America
Jeffrey Hatcher’s new version of The Imaginary Invalid, directed by Jesse Berger, is a smart and...
Read MorePosted by Jonathan Kalb | 12th Apr 2025 | Adaptation, New York, Review
Andrew Scott’s Vanya—a solo show in which he plays all the roles in Anton Chekhov’s classic...
Read MorePosted by Jonathan Kalb | 2nd Apr 2025 | New York, Review, Theatre and Art
Alice Childress has been having a moment the past few years. This extraordinary Black playwright,...
Read MorePosted by Jonathan Kalb | 13th Feb 2025 | Review, Theatre and Politics, United States of America
With the United States now governed by swaggering, ignorant bigots spewing xenophobic venom,...
Read MorePosted by Jonathan Kalb | 10th Feb 2025 | Directing, Review, United States of America
Beckett Briefs is a great title for a program of short plays by Ireland’s most famously laconic...
Read MorePosted by Jonathan Kalb | 30th May 2024 | New York, Review, Theatre and Politics, United States of America
When I first heard that Suzan-Lori Parks had taken up the story of Thomas Jefferson and Sally...
Read MorePosted by Jonathan Kalb | 29th Apr 2024 | Review, Theatre and Politics, United States of America
Well, it’s happened again. The torrid pace of new openings this spring has outstripped my ability...
Read MorePosted by Jonathan Kalb | 10th Apr 2024 | Immersive Theatre, New York, Review, United States of America
The last time Ibsen’s An Enemy of the People (1882) made a big splash in New York was in 2013,...
Read MorePosted by Jonathan Kalb | 25th Mar 2024 | New York, Review, Theatre and Religion, United States of America
Whatever your opinion of the profundity of John Patrick Shanley’s Pulitzer- and Tony-winning 2005...
Read MorePosted by Jonathan Kalb | 3rd Mar 2024 | Review, Transmedia, United States of America
Call me clueless, but I wasn’t aware, before seeing Mona Pirnot’s new play I Love You So Much I...
Read MorePosted by Jonathan Kalb | 1st Mar 2024 | Musical Theatre, Review, United States of America
I almost didn’t go see Days of Wine and Roses: The Musical because my memories of the highly...
Read MorePosted by Jonathan Kalb | 12th Feb 2024 | Review, Theatre and Gender, United States of America
Rachel Bonds’s Jonah—directed by Danya Taymor at the Roundabout’s Laura Pels Theatre— is one of...
Read MorePosted by Jonathan Kalb | 31st Jan 2024 | Review, Theatre and Politics, United States of America
Joshua Harmon’s Prayer for the French Republic is a very good play about anti-Semitism that left...
Read MorePosted by Jonathan Kalb | 7th Jan 2024 | Acting, Review, United States of America
There are lots of reasons Americans have always loved family-dustup plays and exalted them with...
Read MorePosted by Jonathan Kalb | 20th Dec 2023 | Musical Theatre, Review, United States of America
Buena Vista Social Club—a wonderfully infectious and sexy collection of golden-age Cuban music...
Read MorePosted by Jonathan Kalb | 11th Oct 2023 | Review
The headline for Swing State, a new play by Rebecca Gilman, is its pitch-perfect production...
Read MorePosted by Jonathan Kalb | 2nd Apr 2023 | Devised Theatre, Documentary Theatre, New York, Review, Theatre and Politics, United Kingdom, United States of America
Alexander Zeldin’s Love— a much-celebrated, quietly confrontational, British-devised piece from...
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