#Me Too Oedipus
The British directing star Robert Icke specializes in contemporary adaptations of classics. He...
Read MorePosted by Jonathan Kalb | 20th Nov 2025 | Adaptation, Review, United States of America
The British directing star Robert Icke specializes in contemporary adaptations of classics. He...
Read MorePosted by Jonathan Kalb | 16th Nov 2025 | Review, Theatre and Politics, United States of America
The farcical premise of Rajiv Joseph’s play Archduke—just opened at the Roundabout’s Laura Pels...
Read MorePosted by Jonathan Kalb | 15th Nov 2025 | Acting, Review, United States of America
With a depressingly vacuous, celebrity-circus Waiting for Godot sucking up so much oxygen on...
Read MorePosted by Jonathan Kalb | 1st Nov 2025 | Review, Theatre and Politics, United States of America
I went to Caroline Guiela Nguyen’s Lacrima at BAM with great eagerness and curiosity. This was a...
Read MorePosted by Jonathan Kalb | 22nd Oct 2025 | Musical Theatre, Review, United States of America
The Terrence McNally/Stephen Flaherty/Lynn Ahrens musical Ragtime is not the subtlest theater...
Read MorePosted by Jonathan Kalb | 15th Oct 2025 | Directing, Review, United States of America
Absurd as it may seem, Samuel Beckett’s Waiting for Godot, a demanding play about existential...
Read MorePosted by Jonathan Kalb | 14th Oct 2025 | Adaptation, Review, United States of America
James Graham’s play Punch tells the true story of a shiftless, belligerent rowdy who heedlessly...
Read MorePosted by Jonathan Kalb | 5th Oct 2025 | Review, Theatre and Politics, United States of America
Among the most depressing facets of Donald Trump’s pathology is how all-consuming his hunger for...
Read MorePosted by Jonathan Kalb | 19th Jul 2025 | Review, Theatre and Gender, United States of America
Emmanuelle Mattana’s Trophy Boys is a cheeky debut play that’s a lot of fun to watch, even if it...
Read MorePosted by Jonathan Kalb | 4th Jul 2025 | Review, Theatre and Politics, United States of America
Abby Rosebrock’s Lowcountry, a new play directed by Jo Bonney at the Atlantic Theater, begins with...
Read MorePosted by Jonathan Kalb | 10th Jun 2025 | Review, Theatre and Politics, United States of America
Angry Alan is an ickily pointed cautionary tale about an ordinary guy who falls into the rabbit...
Read MorePosted by Jonathan Kalb | 8th Jun 2025 | Review, Theatre and Age, United States of America
Jeffrey Hatcher’s new version of The Imaginary Invalid, directed by Jesse Berger, is a smart and...
Read MorePosted by Jonathan Kalb | 12th Apr 2025 | Adaptation, New York, Review
Andrew Scott’s Vanya—a solo show in which he plays all the roles in Anton Chekhov’s classic...
Read MorePosted by Jonathan Kalb | 2nd Apr 2025 | New York, Review, Theatre and Art
Alice Childress has been having a moment the past few years. This extraordinary Black playwright,...
Read MorePosted by Jonathan Kalb | 13th Feb 2025 | Review, Theatre and Politics, United States of America
With the United States now governed by swaggering, ignorant bigots spewing xenophobic venom,...
Read MorePosted by Jonathan Kalb | 10th Feb 2025 | Directing, Review, United States of America
Beckett Briefs is a great title for a program of short plays by Ireland’s most famously laconic...
Read MorePosted by Jonathan Kalb | 30th May 2024 | New York, Review, Theatre and Politics, United States of America
When I first heard that Suzan-Lori Parks had taken up the story of Thomas Jefferson and Sally...
Read MorePosted by Jonathan Kalb | 29th Apr 2024 | Review, Theatre and Politics, United States of America
Well, it’s happened again. The torrid pace of new openings this spring has outstripped my ability...
Read MorePosted by Jonathan Kalb | 10th Apr 2024 | Immersive Theatre, New York, Review, United States of America
The last time Ibsen’s An Enemy of the People (1882) made a big splash in New York was in 2013,...
Read MorePosted by Jonathan Kalb | 25th Mar 2024 | New York, Review, Theatre and Religion, United States of America
Whatever your opinion of the profundity of John Patrick Shanley’s Pulitzer- and Tony-winning 2005...
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Dostoevsky on Stage. “The Mutt” by Anoushka… by Vassili Schedrin 7th December 2025
“L’amor venia amb taxi” (Love Arrived By… by Maria Delgado 28th December 2025
A Theatre Of Boredom And Theatrical Distrust (André… by S.E. Gontarski 4th December 2025
The Theater of Metaverse by Hayel Ali Al-Mathabi 10th May 2025 
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 


Evil Can Appear Beautiful by Margaret Rose 23rd November 2025