“Hadestown,” The Cult Album That Went To Broadway: “Hades Isn’t Based On Trump–But Trump Might Be Based On Hades”
Hadestown, a reworking of the Orpheus and Eurydice myth by American singer-songwriter Anais...
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Holly Williams
“Allelujah!” Bridge Theatre: A Sharp Injection Of Cynicism From Alan Bennett
Here’s a chorus line with a difference: the geriatric ward of an under-threat Yorkshire hospital,...
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“The Girl On The Train” Onstage: “We Wanted It To Have The Pace Of A Train Out Of Control”
So what attracted you to the multimillion-selling novel The Girl On The Train? That could be my...
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“The Exorcist” On Stage: ‘I Don’t Think Our Vomit Is Going To Be Green’
“Whenever I tell anybody I’m doing an adaptation of The Exorcist, the first question is: ‘Will the...
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Sex, Death, and Gender Fluidity in Wilde’s “Salomé” at Royal Shakespeare Company
Salomé: one of the most dangerously seductive female figures ever, often considered the original...
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