Huw Griffiths, Author at The Theatre Times

Sydney Theatre Company’s “Dracula”: A Virtuosic Performance, Sexy Staging, And A Queer Rewriting

Posted by Huw Griffiths | 16th Jul 2024 | Adaptation, Australia, Review

The figure of Dracula has always lived somewhere between the written word, screen projections and...

Love, Loss And Tears – But Also Laughter: Belvoir’s Compelling And Skilful Staging Of “Holding The Man”

Posted by Huw Griffiths | 28th Mar 2024 | Australia, LGBTQ+ Theatre, Review

Walking through Chippendale on my way to Sydney’s Belvoir Street Theatre, where this production of...

Sydney Theatre Company’s “The Importance of Being Earnest”: Fresh, Funny and Completely Joyous

Posted by Huw Griffiths | 28th Sep 2023 | Acting, Adaptation, Australia, Review, Sydney, Theatre and Politics

It is easy to forget that when Oscar Wilde’s The Importance of Being Earnest was first written and...

I Can’t Imagine Anybody Would Come Out Of “On The Beach” And Not Hold Their Loved Ones Just That Little Bit Closer

Posted by Huw Griffiths | 5th Aug 2023 | Australia, Review, Sydney, Theatre and Politics

Review: On The Beach, directed by Kip Williams. When Nevil Shute wrote his 1957 novel On the...

A Production to Satisfy Sydney’s Darkest Imaginings: Sydney Theatre Company’s “Strange Case of Dr Jekyll and Mr Hyde”

Posted by Huw Griffiths | 13th Sep 2022 | Acting, Adaptation, Australia, Review

Review: Strange Case of Dr Jekyll and Mr Hyde, directed by Kip Williams for Sydney Theatre Company...

The Picture of Dorian Grey review: Eryn Jean Norvill Stuns in all 26 Roles

Posted by Huw Griffiths | 24th Dec 2020 | Australia, LGBTQ+ Theatre, Review, Sydney

Review: Sydney Theatre Company’s The Picture of Dorian Gray, directed by Kip Williams Australian...

A New Take On “An Enemy Of The People” Fizzes With Contemporary Relevance

Posted by Huw Griffiths | 5th Nov 2018 | Adaptation, Australia, Review, Sydney

The fitness of Henrik Ibsen’s plays to address the political questions of our modern lives renews...

“Black Is The New White” Gives The Comedy Of Manners An Irreverent Makeover

Posted by Huw Griffiths | 14th May 2017 | Australia, Sydney

Black is the New White is Nakkiah Lui’s latest play, following last year’s well-received Kill the...

“Seventeen” at Belvoir – A Brilliant Theatrical Event

Posted by Huw Griffiths | 22nd Aug 2016 | Australia, Review, Sydney, Theatre and Age

Our experience of plays is always profoundly affected by how they end: comedy or tragedy, death or...

Review: “Disgraced” Turns West-Meets-Islam Divisions Into Striking Melodrama

Posted by Huw Griffiths | 2nd May 2016 | Australia, Review, Theatre and Politics

Ayad Akhtar’s Disgraced has arrived in Sydney from America on the back of international...

Huw Griffiths

author

Sydney Theatre Company’s “Dracula”: A Virtuosic Performance, Sexy Staging, And A Queer Rewriting

Love, Loss And Tears – But Also Laughter: Belvoir’s Compelling And Skilful Staging Of “Holding The Man”

Sydney Theatre Company’s “The Importance of Being Earnest”: Fresh, Funny and Completely Joyous

I Can’t Imagine Anybody Would Come Out Of “On The Beach” And Not Hold Their Loved Ones Just That Little Bit Closer

A Production to Satisfy Sydney’s Darkest Imaginings: Sydney Theatre Company’s “Strange Case of Dr Jekyll and Mr Hyde”

The Picture of Dorian Grey review: Eryn Jean Norvill Stuns in all 26 Roles

A New Take On “An Enemy Of The People” Fizzes With Contemporary Relevance

“Black Is The New White” Gives The Comedy Of Manners An Irreverent Makeover

“Seventeen” at Belvoir – A Brilliant Theatrical Event

Review: “Disgraced” Turns West-Meets-Islam Divisions Into Striking Melodrama

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