Frida Sandström

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Yet Another White Album

Posted by Frida Sandström | 29th Nov 2019 | Essay, Sweden, Transmedia

If modernity is a stage, the artwork is its main prop. And in a culminating planetary crisis,...

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Living Skill At Work

Posted by Frida Sandström | 7th Nov 2019 | Essay, Theatre and Dance, United States of America

In order to analyze the concepts “skill”, “artistry” and “virtuosity” within the performing arts,...

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Truth and Reconciliation in “Under the Shade… by Verity Healey 2nd January 2026
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Sharing Crafts, Or Laboratory Space by Kiki Selioni 12th January 2026
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Recent Posts

Sharing Crafts, Or Laboratory Space 12th January 2026
For Bremen’s Re-Launched Packhaustheater, The Emphasis Shifts From Local Topics To Local Acting Celebrities 8th January 2026
Alan Ayckbourn’s Woman in Mind at the Duke of York’s Theatre: Starry West End Staging Is More Visually Delightful Than Emotionally Compelling 8th January 2026
Leading with Risk, Trust, and Intuition: An Exclusive Interview with Director Charles Newell on Berlin’s Rehearsal Room 7th January 2026
Writing Across Taiwan and Macau: An Interview with Taiwanese Playwright Chiao-Jung Chen 6th January 2026
Echoes of a Crumbling Republic: Review of “Berlin” at Chicago’s Court Theatre (2025) 4th January 2026
“Leili And Majnun:” An Ancient Love Story For Modern Times 3rd January 2026
“With Ruby and I” – review – more McDonagh than Robinson 3rd January 2026
Truth and Reconciliation in “Under the Shade of a Tree I Sat and Wept” – Kosovo 2nd January 2026
Thought-Provoking Crime Drama And Star Vehicle: “Nebenan” At The Renaissance Theater, Berlin 2nd January 2026

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