European Theatre Lab

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The History Of Virtual Reality And Its Role In Theatre

Posted by European Theatre Lab | 8th Jul 2019 | News, Transmedia, United Kingdom

Virtual reality has been a trending topic for quite a while. Headsets and cardboards for...

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ETL Wins The Heritage In Culture Award 2018

Posted by European Theatre Lab | 26th Dec 2018 | Belgium, News, Theatre and Politics

The European Theatre Lab is very proud to announce that the project won Spotlight on Heritage in...

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Performing Arts Join Digital Forces To Celebrate Cultural Heritage On Stage

Posted by European Theatre Lab | 26th Jan 2018 | Germany, News, Transcultural Collaborations, Transmedia

2018 is the European Year of Cultural Heritage. To bring awareness to the wealth and contribution...

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A New Approach To Subtitling

Posted by European Theatre Lab | 10th Jan 2018 | Belgium, Dramaturgy, France, News, Romania, Transcultural Collaborations

Finding poetry in technology: theatre = yet tears Shall we take it as a bad omen that Siri is...

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Homo Digitalis Meets Zigmagora

Posted by European Theatre Lab | 25th Nov 2017 | France, Georgia, Germany, News, Transcultural Collaborations, Transmedia

What’s the digital revolution doing to us? A web series, a book and one of our theatre projects...

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Most Popular Posts

A Theatre Of Boredom And Theatrical Distrust (André… by S.E. Gontarski 4th December 2025
Dostoevsky on Stage. “The Mutt” by Anoushka… by Vassili Schedrin 7th December 2025
“A Working Class Hero” – Identity… by Verity Healey 2nd December 2025
Tanika Gupta’s “Hedda” at the Orange… by Aleks Sierz 30th October 2025
The Queen of Versailles Musical or the Funeral of… by Lisa Monde 29th October 2025
Jack Holden’s The Line of Beauty at the Almeida… by Aleks Sierz 2nd November 2025
The 12th Dangdai Xiao Juchang Xiqu Jie (Contemporary… by Xunnan Li And Yuan Du 2nd December 2025
James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025
Adaptations On The German Stage (2): “Der… by Daniel Meyer-Dinkgräfe 28th November 2025
“Aşınma” (“Corrosion”): A… by Seda Ilter 23rd November 2025

Recent Posts

Faustin Linyekula’s Missing Bodies: “My body, my archive” at the Aichi Triennale 2025 26th December 2025
“El día del Watusi” (The Day of the Watusi): Iván Morales stages Francisco Casavella’s cult novel on Barcelona in transition 26th December 2025
Diego Garrido Sanz’s “Violencia” (Violence) at the Centro Dramático Nacional: exploring the possibilities of restorative justice 26th December 2025
“El entusiasmo” (The Enthusiasm) at Madrid’s Teatro María Guerrero: Midlife crisis given a makeover in Pablo Remón’s new play 26th December 2025
Inside Chicago Court Theatre’s “Berlin”–Turning a Graphic Novel into Live Theatre: An Exclusive Interview with Playwright Mickle Maher 24th December 2025
“The Phantom Of The Opera” Returns To Mexico: A Reinvented Masterpiece 12th December 2025
Witty Revival Of 2022 Pollesch “Liebe, Einfach Außerirdisch” In Berlin 12th December 2025
Tom Block Sparks Arts Activists 11th December 2025
Emma Dante’s “The Angel of the Hearth” 10th December 2025
Dostoevsky on Stage. “The Mutt” by Anoushka Nesterova and Elena Che at the IATI Theater, New York 7th December 2025

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