Henrietta Baird’s “The Weekend” Proves the Enduring Power of Solo Performance
If this year’s Sydney Festival is any indication, the monologue is back. So far, I have seen...
Read MorePosted by Caroline Wake | 24th Feb 2020 | Australia, Festivals, Review
If this year’s Sydney Festival is any indication, the monologue is back. So far, I have seen...
Read MorePosted by Caroline Wake | 11th Feb 2019 | Australia, Festivals, Review, Sydney, Theatre and Disability
Review: Beware Of Pity, Sydney Festival 2019 Performances in the Roslyn Packer Theatre typically...
Read MorePosted by Caroline Wake | 25th Jan 2019 | Australia, Canada, Festivals, Review, Theatre and Gender
One of the most exhilarating things about Wesley Enoch’s tenure as Artistic Director of the Sydney...
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A Theatre Of Boredom And Theatrical Distrust (André… by S.E. Gontarski 4th December 2025
Dostoevsky on Stage. “The Mutt” by Anoushka… by Vassili Schedrin 7th December 2025 

The Queen of Versailles Musical or the Funeral of… by Lisa Monde 29th October 2025 
“Trilogia Cadela Força – Capítulo II:… by Jenny Strataki 6th August 2025
James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025
The 12th Dangdai Xiao Juchang Xiqu Jie (Contemporary… by Xunnan Li And Yuan Du 2nd December 2025
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