Bojana Cvejić

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Daniela Bershan and Others — “OCEAN”

Posted by Bojana Cvejić | 11th May 2022 | Acting, Norway, Review, Theatre and Gender

OCEAN, or the touch of a relational lifeworld Sometimes, a performance, a work of art, reveals its...

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Self-Organizing Systems, Stickiness and Mental Resistance… An Interview with Mette Ingvartsen on Moving in Concert (2019)

Posted by Bojana Cvejić | 24th Sep 2020 | Belgium, Denmark, Immersive Theatre, Interview, Theatre and Politics

SEEDS Bojana Cvejić: In your solo 21 Pornographies, the last scene, in which you are relentlessly...

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Towards A Poetics Of Imagination

Posted by Bojana Cvejić | 16th Feb 2019 | Essay, Norway, Theatre and Dance

On Mette Edvardsen’s poetry and its penchant to imagine a clandestine side to things I’ll begin by...

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Santiago’s Teatro a Mil 2026: theatre, democracy and… by Maria Delgado 4th February 2026
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Recent Posts

The Trans Excellence of Faggotica 13th February 2026
“Between.Europe: Theatre In Romania.” Conversations And Visual Theatrical Exchanges Between Romania And Poland 10th February 2026
NYC’s Under The Radar Festival Uses Lessons From The Past To Shape The Future 9th February 2026
Frantic Assembly’s “Lost Atoms” at the Lyric Hammersmith: 30th Anniversary Show Is About Love But Its Story Is Predictable And Bland 9th February 2026
“The Devil Wears Prada” and Other Musicals by Sir Elton John. 8th February 2026
The “Screen / Stage” Programme At The Between.Pomiędzy Festival 2025 6th February 2026
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Enzo Moscato. “I Can’t Tell The Story Of My Life” (“Non Posso Narrare La Mia Vita”) 6th February 2026
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Bad Data 4th February 2026

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