The African Theatre Magazine

<img data-lazy-fallback="1" alt='The African Theatre Magazine' src='https://secure.gravatar.com/avatar/72f61a8e1c193e64cc7a836d21eb1707?s=170&r=g&default=https%3A%2F%2Fthetheatretimes.com%2Fwp-content%2Fplugins%2Fwp-first-letter-avatar%2Fimages%2Fdefault%2F256%2Flatin_t.png' class='avatar avatar-170 photo wpfla ' width='170' height='170' />

author

“Chilahaeboalae” Showcases the Richness of African Folklore

Posted by The African Theatre Magazine | 20th Aug 2021 | Immersive Theatre, Review, South Africa

Described as a “musical satire” and with its tongue-in-cheek title, which evokes a...

Read More

The Women Making Waves in Theatre in Africa Part 2

Posted by The African Theatre Magazine | 15th May 2021 | Gambia, Kenya, Malawi, News, Nigeria, South Africa, Theatre and Gender, Tunisia, Uganda, Zimbabwe

In most parts of Traditional Africa, theatre was a prerogative of the woman. Women were the...

Read More

Hope Azeda And Her Art That Heals

Posted by The African Theatre Magazine | 13th Aug 2020 | Devised Theatre, Featured, Rwanda

“Theatre in Rwanda? Are you crazy? There’s no theatre in Rwanda,” said Hope Azeda’s...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Most Popular Posts

Imagine/: Artificial Intelligence Comes to Theatrical Design by Michael Schweikardt 17th September 2022
The Return of Gringoire: An Exclusive Interview with… by Lisa Monde 3rd September 2022
Learning From Scratch: Istanbul Theatre Through a… by Eylem Ejder 29th August 2022
An Evening with Fats Waller: “Ain’t… by Trevor Boffone 23rd September 2022
“When God Kicks You In The Womb,” The… by Emilija Kvočka 5th September 2022
Mental Illness, Misogyny, and the Myth of the Male… by Morgan Skolnik 26th August 2022
A Manifesto for the Future Stage: Performance Is a… by Future Stage Research Group At MetaLAB At Harvard 20th November 2021
Daily Life under State Violence: Interview with… by Kee-Yoon Nahm 8th September 2022
VR and Theater Finally Make a Climate Baby: “From… by Fareeda Pyracha Ahmed 22nd September 2022
Five Myths About Shakespeare’s Contribution to the… by Jonathan Culpeper And Mathew Gillings 11th September 2022

Recent Posts

“Viviani on the Road”: The Third Part of the Special Project, Trianon Viviani Theatre in Naples 3rd October 2022
“Cabaret” at the Theatre of Nations: Inside and Underwear of the Third Empire 2nd October 2022
A Queer Memory Play for the Online Generation: “You Don’t Have to Do Anything” Workshops in NYC This October 29th September 2022
Young Europe IV: Non-Dominant Voices in European Youth Theatre. Interview with Zoe Apostolidou and Emel Aydoğdu. 28th September 2022
Aaron Kilercioglu and Bilal Hasna’s “For A Palestinian” at Camden People’s Theatre: Emotionally Intense Exploration of Identity 26th September 2022
An Evening with Fats Waller: “Ain’t Misbehavin'” at TUTS 23rd September 2022
VR and Theater Finally Make a Climate Baby: “From Sea To Rising Sea” Interview with Creator-Director-Choreographer Mary John Frank 22nd September 2022
Dangerous Desires in “Marie It’s Time” 21st September 2022
With “My Self in That Moment” Chamber Made Gives Us a Dystopian View of Our Lost Soul in the Digital Age 20th September 2022
Belvoir’s “Tell Me I’m Here” Looks at the Impact of Mental Illness on the Whole Family. It is a Wrenching and Beautiful Work. 19th September 2022

SEARCH OUR ARCHIVES

Pin It on Pinterest