Annie Jin Wang on Opera Dramaturgy
Dramaturgy is all about being able to facilitate a line of communication between artists and audience.
Read MoreAnne Hamilton is a NYC-based freelance dramaturg and the Founder of Hamilton Dramaturgy, an international consultancy. She co-authored the best-selling textbook Dramaturgy: The Basics (Routledge, 2023) with Walter Byongsok Chon. She created Hamilton Dramaturgy’s TheatreNow!, a limited oral history podcast series of important theatre women working in America. Anne has dramaturged for Andrei Serban, Michael Mayer, Lynn Nottage, NYMF, Niegel Smith, Classic Stage Company, and the Great Plains Theatre Festival, among others. She is also an award-winning playwright. She recently served as the English language consultant on An English Theatrical Translation of Korean Plays by Myung-Wha Kim, a four-play volume translated by Walter Byongsok Chon. She won a Daesan Foundation 2022 Grant for the Translation of Korean Literary Works, to support this project, as well as a Bogliasco Foundation Fellowship. Her chapter, “Freelance Dramaturgs in the 21st Century: Journalists, Advocates and Collaborators” appears in The Routledge Companion to Dramaturgy. She completed two Bogliasco Foundation Fellowships (2024, 1998), won the Dean’s Prize for Dramaturgy at Columbia University School of the Arts, and holds dual citizenship in Italy and the United States.
Posted by Anne Hamilton | 10th Jul 2025 | Dramaturgy, Interview, Theatre and Opera, United States of America
Dramaturgy is all about being able to facilitate a line of communication between artists and audience.
Read MorePosted by Anne Hamilton | 30th Nov 2023 | Interview, New York, Theatre and AI, Transmedia, United States of America
Within the past six years, prominent Romanian playwright Saviana Stănescu has written two “AI...
Read MorePosted by Anne Hamilton | 21st Dec 2016 | Dramaturgy, Essay, Musical Theatre, New York, United States of America
It is much more challenging to dramaturg a musical than a straight play because there are so many more elements to consider, assess, and attempt to balance out. I examine each song in the score in terms of style, tempo, tone, melody, and length.
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