The Sphinx’s Riddle Remains Unsolved. Scattering Chinese Art with “The First-Ever Metaverse Theatre Festival”
Even though for the last decade there have been numerous attempts to unleash Chinese theatre’s...
Read MoreAnna Gryszkiewicz, PhD, is a theatre practitioner, non-active actress with experience in institutional theatres, sinologist and theatrologist focused on post-drama and dance theatre. Her main interests include the entanglements between performing arts, high technology and the posthumanist approach to culture. She holds a post of research assistant at the Department of East Asian Cultures and Languages at the University of Gdansk, Poland. She is a member of China Horizons EU-funded project.
Posted by Anna Gryszkiewicz | 14th Apr 2023 | China, Festivals, Review, Theatre and AI, Transmedia
Even though for the last decade there have been numerous attempts to unleash Chinese theatre’s...
Read More
“Aşınma” (“Corrosion”): A… by Seda Ilter 23rd November 2025
The Queen of Versailles Musical or the Funeral of… by Lisa Monde 29th October 2025
“Trilogia Cadela Força – Capítulo II:… by Jenny Strataki 6th August 2025
A Theatre Of Boredom And Theatrical Distrust (André… by S.E. Gontarski 4th December 2025 

Dostoevsky on Stage. “The Mutt” by Anoushka… by Vassili Schedrin 7th December 2025 
James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025
Nearly Finished by Jonathan Kalb 15th November 2025