Ian Maxwell

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‘Strong Theatre With Unwavering Precision’: Into The Shimmering World Asks Us What Does It Mean To Be Good?

Posted by Ian Maxwell | 16th Apr 2024 | Australia, Review, Theatre and Gender

Angus Cerini’s Into the Shimmering World is an unforgiving and, frankly, bleak meditation on what...

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“Family Values:” David Williamson’s New Uncomfortable, Confronting Play

Posted by Ian Maxwell | 18th Feb 2020 | Australia, Review, Theatre and Politics

The newest play from Australia’s most prolific playwright sees David Williamson in vintage form....

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The Experimental “Cadavre Exquis” At Sydney Festival

Posted by Ian Maxwell | 30th Jan 2014 | Australia, Devised Theatre, Festivals, Review, Sydney

The rules of Cadavre Exquis are basic. Four directors, each responsible for 15 minutes of...

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The Queen of Versailles Musical or the Funeral of… by Lisa Monde 29th October 2025
FITPTI – International Festival For Young… by Teodora Medeleanu 31st October 2025
“Trilogia Cadela Força – Capítulo II:… by Jenny Strataki 6th August 2025
3sisters at the Novi Sad Theatre by Emilija Kvočka 7th November 2025
Six-Hour Tour De Force “Hamlet” In Hamburg,… by Daniel Meyer-Dinkgräfe 27th October 2025
LegalAlien’s “The Flowers of… by Verity Healey 27th October 2025
James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025
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Maestras On The Podium: Women Conductors On… by Sariva Goetz 11th October 2025
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Recent Posts

The Filmed Performance “Woodland Bird Woman” – a Collaboration Between Esther Salamon, Robert Laycock And David Stephenson: Between.Pomiędzy Dispersed Festival 2025 9th November 2025
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FITPTI – International Festival For Young Audiences 2025 – A Northeastern Romanian Story 31st October 2025
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The Queen of Versailles Musical or the Funeral of the “American dream.” 29th October 2025
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Six-Hour Tour De Force “Hamlet” In Hamburg, Directed, With Many Ironic Self-References, By Veteran Legendary Frank Castorf 27th October 2025
LegalAlien’s “The Flowers of Srebrenica”: Theatre as Healing 27th October 2025

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