Day: August 1, 2018

Automatism, Autonomy, And Aesthetics In Performing Arts

Posted by Edmond Couchot | 1st Aug 2018 | Essay, Participatory Theatre, Theatre and AI, Transmedia

Artists in the performing and theatrical arts currently have access to technology of an...

Read More

Gloster, The Reptile: Andrei Şerban’s “Richard III”

Posted by Katalin Gabnai | 1st Aug 2018 | Hungary, Review

Shakespeare: Richard III / Radnóti Miklós Theatre His face is yellow beneath the high-gloss strap...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
“Figures In Extinction:” A Dance Trilogy Report by Maria Wojtan, Magdalena Borowska, Natalia Rutkowska, Barbara Herbasz 17th March 2026
“The Devil Wears Prada” and Other… by Lisa Monde 8th February 2026
Isolation, Consumer Desire and the Human Spirit: A… by David O'Donnell 2nd March 2026
Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
Poetry: The Realm Where Unrealized Ambitions Find… by Ivanka Apostolova Baskar 19th March 2026
“Digital Access To The Performing Arts”… by The Theatre Times 7th March 2026
Marketing, Sales And Production Are Crucial For The… by Ivanka Apostolova Baskar 16th March 2026
From Shakespeare To Contemporary Montenegrin… by Ivanka Apostolova Baskar 25th March 2026
“Is Love Energy Or Matter?” An Interview With Rok… by Ivanka Apostolova Baskar 11th March 2026

Recent Posts

The 2026 International Ibsen Award: A Reflection On The Winner By The Committee 27th March 2026
Sibling love and loss: Alfredo Sanzól’s new play at Madrid’s Teatro María Guerrero 26th March 2026
Moving Emphasis On Tolerance And Courage In “Nasser # 7 Leben” At The Schnürschuh Theater Bremen 26th March 2026
From Shakespeare To Contemporary Montenegrin Authors, I Aim To Connect With Society Through The Works I Choose 25th March 2026
New York City Fringe Begins April 1 25th March 2026
To speak out or not to speak out?: Claudio Tolcachir directs “Mejor no decirlo/You Shouldn’t Have Said So” at Barcelona’s Teatre Goya 24th March 2026
Waking Up in the Spotlight with “The Unusual Chauncey Faust” 24th March 2026
Poetry: The Realm Where Unrealized Ambitions Find Aesthetic Sublimation 19th March 2026
“Figures In Extinction:” A Dance Trilogy Report 17th March 2026
When It Comes For Us: “Prophet Song” 17th March 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest