“Allelujah!” at The Bridge Theatre
The NHS is us. For decades our national identity has been bandaged together with the idea, and...
Read MorePosted by Aleks Sierz | 25th Jul 2018 | London, Review, Theatre and Age, Theatre and Politics, United Kingdom
The NHS is us. For decades our national identity has been bandaged together with the idea, and...
Read MorePosted by Corrie Scott | 25th Jul 2018 | Canada, Essay, Theatre and Politics
No one white really wants to talk about being white. Lately, the “color-blind” approach to race...
Read MorePosted by Nobuko Tanaka | 25th Jul 2018 | Essay, Japan
Based in mountainous Oita Prefecture in northeastern Kyushu, the privately owned and run Drum Tao...
Read More


Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026 
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026 
Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026