Day: July 16, 2017

What Is the Price of Surrogacy? Vivienne Franzmann’s “Bodies” at The Royal Court

Posted by Aleks Sierz | 16th Jul 2017 | London, Review, Theatre and Gender, United Kingdom

Surrogacy is an emotionally fraught subject. And one that is pregnant with meaning. The...

Read More

Out of the Wings Brings Hispanic and Lusophone Theatre to London Audiences

Posted by Catherine Boyle | 16th Jul 2017 | Producing, South America, Spain, Translation, United Kingdom

Following its second annual week of play readings from the Spanish- and Portuguese-speaking world,...

Read More

Kiosk X / Festival of New Slovak Theater and Dance

Posted by Milan Zvada | 16th Jul 2017 | Slovakia, Theatre and Dance

The summer festival of the “different” Slovak theater and the bold spectator. The...

Read More

From Elvis to Cobain, “The Sound of Falling Stars” Revives Those Dead Before Their Time

Posted by William Peterson | 16th Jul 2017 | Australia, Festivals

What unites Sid Vicious and Ricky Nelson, Elvis, and Kurt Cobain, is not just that they were...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

Santiago’s Teatro a Mil 2026: theatre, democracy and… by Maria Delgado 4th February 2026
Sharing Crafts, Or Laboratory Space by Kiki Selioni 12th January 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
Echoes of a Crumbling Republic: Review of… by Susanna Sun 4th January 2026
Writing Across Taiwan and Macau: An Interview with… by Kuan-Ting Lin 6th January 2026
What Happens In Mecca, Stays In Mecca:… by Marina Johnson 31st December 2025
“El entusiasmo” (The Enthusiasm) at… by Maria Delgado 26th December 2025
Edinburgh Festival Fringe 2025: Provisional Futures… by Duška Radosavljević 25th August 2025
Alan Ayckbourn’s Woman in Mind at the Duke of York’s… by Aleks Sierz 8th January 2026
Martin Crimp’s Version Of “The Seagull”… by Daniel Meyer-Dinkgräfe 26th January 2026

Recent Posts

The “Screen / Stage” Programme At The Between.Pomiędzy Festival 2025 6th February 2026
In Oldenburg’s “The Tempest,” Trusting The Text Pays Off 6th February 2026
Enzo Moscato. “I Can’t Tell The Story Of My Life” (“Non Posso Narrare La Mia Vita”) 6th February 2026
Raising Fists and Sharing Bread: Tiziano Cruz’s “Wayqeycuna” (Argentina) 5th February 2026
Santiago’s Teatro a Mil 2026: theatre, democracy and artistic responsibility 4th February 2026
“A Place Of Safety, A Journey In The Central Mediterranean” 3rd February 2026
Kia Mau Festival Brings Hana Keaka (Hawaiian Language Theatre) to Aotearoa: “Puana” by Tammy Haili‘ōpua Baker 29th January 2026
“Before The Storm” (“Prima Del Temporale”) At Milan’s Piccolo Teatro 27th January 2026
How to Make Rube Goldberg Punk Rock: Narcissister’s “Voyage Into Infinity” 27th January 2026
Martin Crimp’s Version Of “The Seagull” Makes It To The German Stage 26th January 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest