Young European Voices Exploring Hopes and Dreams
Young Europe III Raising young people’s voices across Europe, exploring their hopes and dreams,...
Read MorePosted by Lasse Scheiba | 29th Nov 2020 | News, Theatre for Young Audiences, Transcultural Collaborations, Youth Theatre - A Casebook
Young Europe III Raising young people’s voices across Europe, exploring their hopes and dreams,...
Read MorePosted by Lasse Scheiba | 25th Nov 2020 | Germany, Theatre for Young Audiences, Youth Theatre - A Casebook
Youth Theatre – Audience Development A Conversation with the Youth Council of the Deutsches...
Read MorePosted by Jules Buchholtz | 24th Nov 2020 | Theatre for Young Audiences, Youth Theatre - A Casebook
Why democracies are not about doing the right thing, but about how the right thing is always being...
Read MorePosted by Lena Fritschle | 23rd Nov 2020 | Essay, Germany, Theatre for Young Audiences, Youth Theatre - A Casebook
In his 1993 work A Flying Classroom, the German author Erich Kästner created a vision of a...
Read MorePosted by Miriam Kičiňová | 18th Nov 2020 | Theatre for Young Audiences, Youth Theatre - A Casebook
The Slovak National Theatre generally stages the major classics, adaptations of novels, and...
Read MorePosted by The Theatre Times | 16th Nov 2020 | Germany, Theatre for Young Audiences, Youth Theatre - A Casebook
First things first: Be aware of the problems you create for the audience, a.k.a. the player, and...
Read MorePosted by Attila Réthly | 14th Nov 2020 | Hungary, Theatre for Young Audiences, Youth Theatre - A Casebook
Weöres Sándor Színház (WSSZ) joined the Age of Rage project group within Young Europe III and,...
Read MorePosted by János Antal Horváth | 12th Nov 2020 | Hungary, Theatre for Young Audiences, Youth Theatre - A Casebook
As the generation known by the final letters of the alphabet continues to grow up and become...
Read MorePosted by Wieke Ten Cate | 11th Nov 2020 | Essay, Netherlands, Theatre for Young Audiences, Youth Theatre - A Casebook
As a documentary theatre maker, I am typically interested in individuals and characters whom I...
Read MorePosted by Heidi Wiley and Serge Rangoni | 11th Nov 2020 | Festivals, Theatre for Young Audiences, Youth Theatre - A Casebook
It’s now June 2020. In most European countries, the first wave of Covid-19 has started to slow...
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 James Graham’s “Punch” at the Apollo Theatre:…  by Aleks Sierz  30th September 2025
James Graham’s “Punch” at the Apollo Theatre:…  by Aleks Sierz  30th September 2025 
 “Lale Lili Marleen:” The Promising…  by Daniel Meyer-Dinkgräfe  10th October 2025
“Lale Lili Marleen:” The Promising…  by Daniel Meyer-Dinkgräfe  10th October 2025 

 “Tired” Of Consuming Postdramatic…  by Ivanka Apostolova Baskar  31st August 2025
“Tired” Of Consuming Postdramatic…  by Ivanka Apostolova Baskar  31st August 2025 

 Debating Identity: Is It Time to Rename Cairo’s…  by Ati Metwaly  26th September 2025
Debating Identity: Is It Time to Rename Cairo’s…  by Ati Metwaly  26th September 2025  Decolonizing Iraqi Theatre: Why We Need to Stop…  by Amir Al-Azraki  3rd August 2025
Decolonizing Iraqi Theatre: Why We Need to Stop…  by Amir Al-Azraki  3rd August 2025 