Under The Radar Fest: Testo
Wet Mess is a captivating performer with a playfully defined aesthetic. Their checkerboard face...
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Theatre and Gender
Emma Dante’s “The Angel of the Hearth”
In late November, Emma Dante brought her latest show, L’Angelo del focolare (The Angel of the...
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Maestras On The Podium: Women Conductors On Broadway, Then And Now
When I was four years old, I asked my parents for piano lessons. We always had a piano in the...
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“A Poem And A Mistake,” Edinburgh Festival Fringe 2025
At the Edinburgh Fringe, the solo show, A Poem and a Mistake, is playing for the entire month of...
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“Suburbia,” Written And Performed By Jonny Woo, Edinburgh Festival Fringe 2025
As I read the title of Jonny Woo’s latest show, Suburbia, I wondered how this celebrated...
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“Cassandra,” Written And Performed By Ailsa Dixon, Edinburgh Festival Fringe
Playing at the Scottish Storytelling Centre during the Edinburgh Fringe Festival, Cassandra,...
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Who’s Afraid of the Public? Reports from the Daehangno X Forum on the Shut-Down of TheatreIn
“Can we just disband the Seoul Foundation for the Arts and Culture entirely and start over?” A...
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School Camp
Emmanuelle Mattana’s Trophy Boys is a cheeky debut play that’s a lot of fun to watch, even if it...
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George Bernard Shaw’s Mrs Warren’s Profession at the Garrick Theatre: Slimmed Down Revival Of A Classic About The Woman Question Stars Imelda Staunton
George Bernard Shaw is the supreme example of old writing. Maddeningly verbose, eye-poppingly...
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A Play About Abortion – “Hypothetıcal Baby”
Hypothetical Baby is a one-woman show written and performed by Rachel Cairns, centered on her own...
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“Liberation.” Roundabout Theatre. Look Back to Know Where You Are
Did you knit your scarf? A woman asked me while we were waiting in the line for the restroom. No!...
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Violence Is Not Fate. Change Is Possible
Turkish writer, theatre critic, and academic Zehra İpşiroğlu’s book Woman Plays features...
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The Rebellious Power of “Liberation” at Roundabout Theatre Company
Much like the women it centers on, Roundabout Theatre Company’s Liberation is rebellious and not...
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Woman Is A Changeling: Redefining Femininity In “Maiden Mother Crone”
But a woman is a changeling, always shifting shape Just when you think you have it figured out...
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Review Of “Bernarda Albas Haus,” Deutsches Schauspielhaus Hamburg, Première 2 November 2024.
Interpretations in cultures and languages external to Spain have been integral to the survival of...
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Laura Horton’s Lynn Faces at the New Diorama Theatre: Surreal Gig Theatre Event Explores Coercive Control Through Comedy
British people are socially awkward: this explains why we talk about the weather, queue...
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There Is Nothing To Know About The Theatre, There Is Everything To Discover About Theatre
An Interview with playwright, dramaturg and director – Simona Semenic (Ljubljana, Slovenia)...
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Lucy Kirkwood’s “The Welkin” (“Empireo”) In Milan
Some of the outstanding works by British playwright Lucy Kirkwood are finally being staged in...
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“How I Learned To Drive” – Heartefact Fund at the Kosovo Albania Theatre Showcase
Heartefact Fund is a young company based in Serbia. Normally, the company performs in an apartment...
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“Tattooer” At Atelier Shunpusha: “Tattooer” Reworks Tanizaki’s Japanese Tale Of Desire And Power With Subtlety And Verve
Tattooer is a playful yet critical adaptation of Junichiro Tanizaki’s (1886-1965) debut short...
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