Kyoto Experiment 2024

From Hunting Ritual to Installation Art: Tianzhuo Chen and Siko Setyanto’s “Ocean Cage”

Posted by Ilinca Todoruţ | 31st Dec 2024 | Immersive Theatre, Indonesia, Japan, Kyoto Experiment 2024, Review

Ocean Cage engulfs its audience for almost two hours in a multi-sensorial, immersive performative...

Read More

Humankind’s Search for the Living in Shinichi Anasako and Pijin Neji’s “Stand by Me”

Posted by Ilinca Todoruţ | 23rd Dec 2024 | Japan, Kyoto Experiment 2024, Review

How does a coming-of-age story look like today, at a time of a global ecological catastrophe and...

Read More

Nanako Matsumoto and Anchi Lin (Ciwas Tahos) Trekking Mountains

Posted by Ilinca Todoruţ | 19th Dec 2024 | Japan, Kyoto Experiment 2024, LGBTQ+ Theatre, Review, Taiwan

As part of Kyoto Experiment, I watched at the black box of Theatre E9 two performers interact with...

Read More

(LA)HORDE’s Flash Mob Revolution

Posted by Ilinca Todoruţ | 13th Dec 2024 | France, Japan, Kyoto Experiment 2024, Review

The enthusiastic applause and standing ovations received by Room with a View from the large...

Read More

Melati Suryodarmo and Alessandro Sciarroni Moving Within Patriarchy

Posted by Ilinca Todoruţ | 12th Dec 2024 | Indonesia, Italy, Japan, Kyoto Experiment 2024, Review

Indonesian performance artist Melati Suryodarmo and Italian choreographer Alessandro Sciarroni...

Read More

On Kyoto Experiment’s Curatorial Vision

Posted by Ilinca Todoruţ | 5th Dec 2024 | Festivals, Japan, Kyoto Experiment 2024, Management, News

The interdisciplinary theatre, dance, and performance art festival Kyoto Experiment (KEX) wowed me...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

Truth and Reconciliation in “Under the Shade… by Verity Healey 2nd January 2026
“L’amor venia amb taxi” (Love Arrived By… by Maria Delgado 28th December 2025
“El entusiasmo” (The Enthusiasm) at… by Maria Delgado 26th December 2025
“With Ruby and I” – review –… by Verity Healey 3rd January 2026
What Happens In Mecca, Stays In Mecca:… by Marina Johnson 31st December 2025
Faustin Linyekula’s Missing Bodies: “My body,… by Ilinca Todoruţ 26th December 2025
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
Writing Across Taiwan and Macau: An Interview with… by Kuan-Ting Lin 6th January 2026
LegalAlien’s “The Flowers of… by Verity Healey 27th October 2025
“Leili And Majnun:” An Ancient Love Story For Modern Times by L. Peter Callender 3rd January 2026

Recent Posts

Sharing Crafts, Or Laboratory Space 12th January 2026
For Bremen’s Re-Launched Packhaustheater, The Emphasis Shifts From Local Topics To Local Acting Celebrities 8th January 2026
Alan Ayckbourn’s Woman in Mind at the Duke of York’s Theatre: Starry West End Staging Is More Visually Delightful Than Emotionally Compelling 8th January 2026
Leading with Risk, Trust, and Intuition: An Exclusive Interview with Director Charles Newell on Berlin’s Rehearsal Room 7th January 2026
Writing Across Taiwan and Macau: An Interview with Taiwanese Playwright Chiao-Jung Chen 6th January 2026
Echoes of a Crumbling Republic: Review of “Berlin” at Chicago’s Court Theatre (2025) 4th January 2026
“Leili And Majnun:” An Ancient Love Story For Modern Times 3rd January 2026
“With Ruby and I” – review – more McDonagh than Robinson 3rd January 2026
Truth and Reconciliation in “Under the Shade of a Tree I Sat and Wept” – Kosovo 2nd January 2026
Thought-Provoking Crime Drama And Star Vehicle: “Nebenan” At The Renaissance Theater, Berlin 2nd January 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest