From Hunting Ritual to Installation Art: Tianzhuo Chen and Siko Setyanto’s “Ocean Cage”
Ocean Cage engulfs its audience for almost two hours in a multi-sensorial, immersive performative...
Read MorePosted by Ilinca Todoruţ | 31st Dec 2024 | Immersive Theatre, Indonesia, Japan, Kyoto Experiment 2024, Review
Ocean Cage engulfs its audience for almost two hours in a multi-sensorial, immersive performative...
Read MorePosted by Ilinca Todoruţ | 23rd Dec 2024 | Japan, Kyoto Experiment 2024, Review
How does a coming-of-age story look like today, at a time of a global ecological catastrophe and...
Read MorePosted by Ilinca Todoruţ | 19th Dec 2024 | Japan, Kyoto Experiment 2024, LGBTQ+ Theatre, Review, Taiwan
As part of Kyoto Experiment, I watched at the black box of Theatre E9 two performers interact with...
Read MorePosted by Ilinca Todoruţ | 13th Dec 2024 | France, Japan, Kyoto Experiment 2024, Review
The enthusiastic applause and standing ovations received by Room with a View from the large...
Read MorePosted by Ilinca Todoruţ | 12th Dec 2024 | Indonesia, Italy, Japan, Kyoto Experiment 2024, Review
Indonesian performance artist Melati Suryodarmo and Italian choreographer Alessandro Sciarroni...
Read MorePosted by Ilinca Todoruţ | 5th Dec 2024 | Festivals, Japan, Kyoto Experiment 2024, Management, News
The interdisciplinary theatre, dance, and performance art festival Kyoto Experiment (KEX) wowed me...
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