Patrick Langston

<img data-lazy-fallback="1" alt='Patrick Langston' src='https://secure.gravatar.com/avatar/a95d845a29dbc4ac6005070d656b55ec?s=170&r=g&default=https%3A%2F%2Fthetheatretimes.com%2Fwp-content%2Fplugins%2Fwp-first-letter-avatar%2Fimages%2Fdefault%2F256%2Flatin_p.png' class='avatar avatar-170 photo wpfla ' width='170' height='170' />

author

The Gladstone Celebrates A Decade Of Drama

Posted by Patrick Langston | 11th Sep 2018 | Canada, Management

The Gladstone Theatre turns 10 years old this fall. That may make it a mere stripling in the art...

Read More

New Artistic Director Shakes Up The St. Lawerence Shakespeare Fest With A Season Of Love

Posted by Patrick Langston | 16th Aug 2018 | Canada, Festivals, News

It’s a safe bet you’ve never realized the universality of A Lover And His Lass, that sweet and...

Read More

“How Black Mother’s Say I Love You” Dissects Mother-Daughter Relationship

Posted by Patrick Langston | 21st Mar 2018 | Canada, Review

“I love you” doesn’t slip easily from Daphne’s tongue. But they are words that her grown...

Read More

“Mr. Shi And His Lover:” A Tautly Executed Superlative Piece of Musical Theatre

Posted by Patrick Langston | 22nd Jan 2018 | Canada, Musical Theatre, Review, Theatre and Opera

A word of advice: If you’re going to see this superlative chamber musical, take the time to read...

Read More

1
2

Like Us On Facebook

Facebook Pagelike Widget

Most Popular Posts

A Director Needs “to Practice What They… by Ivanka Apostolova Baskar 31st July 2022
Ivo Van Hove’s Water-turgy: “Ingolstadt”… by Duška Radosavljević 8th August 2022
Theatre After COVID: The 2022 Avignon Theatre… by Yana Meerzon 6th August 2022
Theatre After COVID: The 2022 Avignon Theatre… by Yana Meerzon 7th August 2022
An Interview with Prof. Ana Stojanoska—Theater… by Ivanka Apostolova Baskar 26th July 2022
Divas Are Forever: Marina Abramović’s “7… by Marisa C. Hayes 20th September 2021
Unmanly Griefs: Robert Icke’s “Hamlet” by Jonathan Kalb 19th July 2022
Sacrament of the Sea: Houseworld’s… by Andrew Agress 9th August 2022
The Musical “Notre Dame de Paris”… by Lisa Monde 27th July 2022
A Manifesto for the Future Stage: Performance Is a… by Future Stage Research Group At MetaLAB At Harvard 20th November 2021

Recent Posts

“The Cherry Orchard,” Portland Experimental Theatre Ensemble 12th August 2022
Parastoo Theatre: Art, Refuge, Action 11th August 2022
Leveling Effects: Matthew Spangler’s Adaptation of “The Kite Runner” 10th August 2022
Sacrament of the Sea: Houseworld’s “Bottom of the Ocean” 9th August 2022
Ivo Van Hove’s Water-turgy: “Ingolstadt” at the Salzburg Festival 8th August 2022
Theatre After COVID: The 2022 Avignon Theatre Festival in Search for Theatrical Magic and Forms of Philosophical Transgressions – Part II 7th August 2022
Theatre After COVID: The 2022 Avignon Theatre Festival in Search for Theatrical Magic and Forms of Philosophical Transgressions – Part I 6th August 2022
“The Hour of Death,” Bokshi Theatre Company 5th August 2022
About “Dog/Actor” at the Etcetera Theatre 4th August 2022
“The Years of Crows” at National Theatre, Belgrade 2nd August 2022

SEARCH OUR ARCHIVES

Pin It on Pinterest