Natasha Tripney

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Independent Theatre in Romania: “You Can’t Change the System from the Inside”

Posted by Natasha Tripney | 24th Apr 2022 | Interview, Romania, Theatre and Politics, Transcultural Collaborations

Founded in 2015, Theatre Arts Group (TAG) is an independent theatre company in Romania that trains...

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“The Double Life”

Posted by Natasha Tripney | 5th Mar 2022 | Kosovo, Review, Transcultural Collaborations

Teatri Oda, Prishtina (part of the Kosovo Theatre Showcase) There are more people in the world who...

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No Longer Silent: How a Bosnian Theatre Festival Became a Focal Point for The MeToo Movement

Posted by Natasha Tripney | 22nd Feb 2022 | Bosnia, Festivals, Review, Theatre and Gender

Across the western Balkans women are raising their voices against violence following a series of...

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“Alles Unter Kontrolle”

Posted by Natasha Tripney | 21st Feb 2022 | Germany, Review, Theatre and Politics

Maxim Gorki Theatre, Berlin, premiered on 21st June 2021, streamed on 28th January 2022 Oliver...

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A.Y.L.A.N at the Oda Theater

Posted by Natasha Tripney | 4th Dec 2020 | Acting, Immersive Theatre, Kosovo, Review

The audience sits on the stage looking out at a sea of empty seats. From this perspective, they...

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The Queen of Versailles Musical or the Funeral of… by Lisa Monde 29th October 2025
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Recent Posts

Thriving in an Either-Or World: An Interview with Taiwan-based Pangcah Theatre Artist Ihot Sinlay Cihek 19th November 2025
Dimension Zero: All Judy, No Punch 17th November 2025
Nearly Finished 15th November 2025
The Filmed Performance “Woodland Bird Woman” – a Collaboration Between Esther Salamon, Robert Laycock And David Stephenson: Between.Pomiędzy Dispersed Festival 2025 9th November 2025
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Jack Holden’s The Line of Beauty at the Almeida Theatre: A Subtle And Appealing Adaptation Of A Modern Classic 1980s Story 2nd November 2025
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FITPTI – International Festival For Young Audiences 2025 – A Northeastern Romanian Story 31st October 2025
Tanika Gupta’s “Hedda” at the Orange Tree Theatre: A Fresh And Fascinating Reinterpretation Of A Classic Which Foregrounds The Issues Of Race And Empire 30th October 2025
The Queen of Versailles Musical or the Funeral of the “American dream.” 29th October 2025

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