Natasha Tripney

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Independent Theatre in Romania: “You Can’t Change the System from the Inside”

Posted by Natasha Tripney | 24th Apr 2022 | Interview, Romania, Theatre and Politics, Transcultural Collaborations

Founded in 2015, Theatre Arts Group (TAG) is an independent theatre company in Romania that trains...

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“The Double Life”

Posted by Natasha Tripney | 5th Mar 2022 | Kosovo, Review, Transcultural Collaborations

Teatri Oda, Prishtina (part of the Kosovo Theatre Showcase) There are more people in the world who...

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No Longer Silent: How a Bosnian Theatre Festival Became a Focal Point for The MeToo Movement

Posted by Natasha Tripney | 22nd Feb 2022 | Bosnia, Festivals, Review, Theatre and Gender

Across the western Balkans women are raising their voices against violence following a series of...

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“Alles Unter Kontrolle”

Posted by Natasha Tripney | 21st Feb 2022 | Germany, Review, Theatre and Politics

Maxim Gorki Theatre, Berlin, premiered on 21st June 2021, streamed on 28th January 2022 Oliver...

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A.Y.L.A.N at the Oda Theater

Posted by Natasha Tripney | 4th Dec 2020 | Acting, Immersive Theatre, Kosovo, Review

The audience sits on the stage looking out at a sea of empty seats. From this perspective, they...

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Santiago’s Teatro a Mil 2026: theatre, democracy and… by Maria Delgado 4th February 2026
NYC’s Under The Radar Festival Uses Lessons From The… by Victoria Zavyalova 9th February 2026
Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
Raising Fists and Sharing Bread: Tiziano Cruz’s… by Yizhou Zhang 5th February 2026
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In Oldenburg’s “The Tempest,” Trusting… by Daniel Meyer-Dinkgräfe 6th February 2026
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Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026
The Trans Excellence of Faggotica by Morgan Skolnik 13th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026

Recent Posts

Picasso’s “Barber” At The Spanish National Theatre 24th February 2026
Olga Braga’s “Donbas” at Theatre 503: Complex Account Of The Start Of The Ukraine War Is Deeply Humanistic 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks 19th February 2026
Terence Rattigan’s “Man and Boy” at the National Theatre: Rare 1960s Rattigan Play Gets A Meta-Theatrical Revival 19th February 2026
“Hamlet²” (“Amleto²”) 17th February 2026
The Trans Excellence of Faggotica 13th February 2026
“Between.Europe: Theatre In Romania.” Conversations And Visual Theatrical Exchanges Between Romania And Poland 10th February 2026
NYC’s Under The Radar Festival Uses Lessons From The Past To Shape The Future 9th February 2026
Frantic Assembly’s “Lost Atoms” at the Lyric Hammersmith: 30th Anniversary Show Is About Love But Its Story Is Predictable And Bland 9th February 2026
“The Devil Wears Prada” and Other Musicals by Sir Elton John. 8th February 2026

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