María Bastianes
regional managing editor
María Bastianes (Buenos Aires, 1984) is a Research Lecturer at the Universidad Complutense de Madrid, where she is currently leading a “Talent Attraction” project on the first performances of García Lorca’s theatre in Europe. She also keeps working on the study and promotion of Hispanic theatre in the UK, as part of her previous position as a Marie Curie Individual Fellow at the University of Leeds (www.estages.uk). She has published extensively on 20th and 21st centuries European and Argentinian theatres and cultures. Her first monograph, Vida Escénica de “La Celestina” en España (Peter Lang, 2020), explores the stage and cultural life of this Renaissance Spanish masterpiece in modern and contemporary Spain.
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Most Popular Posts
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Recent Posts
- Anything Can Be Bought If The Price Is Right: Juan Mayorga’s “La Colección” (The Collection) 12th April 2024
- Staging Justice: Miguel del Arco revisits Jordi Casanovas’ “Jauría” and the case of “la manada” (the wolfpack) 9th April 2024
- Towards New Theatre in Europe: What Roles Can Multilingual Dramaturgies Play in Europe’s Future(s)? 8th April 2024
- Milan’s FOG Festival 7th April 2024
- Between The REMBELIO OF POPOLARI (“Omilies”, Carnevals, Anonymous Poets) And No Stable Funding 4th April 2024
- The Silent Service of Women: Cayenne Douglass’s “Maiden Voyage” at The Flea 2nd April 2024
- “Teeth” Bites Back Against Purity Culture: On Michael R. Jackson and Anna K. Jacob’s Musical 31st March 2024
- “I Killed My Mother/It Wasn’t My Fault.” Which Way Does One Get to Come-of-Age? 25th March 2024
- A Triple Bill on Desire and its Discontents: “La Voix Humaine”, “Erwartung” and Something in Between at Madrid’s Teatro Real 25th March 2024
- Alfredo Sanzol Stages Lorca’s “The House of Bernarda Alba”: Simmering Passions, Solitude and Surveillance 25th March 2024