Kate Youde

author

A Day In The Life Of The Royal Shakespeare Company’s Head Of Props–Featuring Swords, Fake Blood, And Stage Secrets

Posted by Kate Youde | 3rd Jun 2018 | Design, Interview, United Kingdom

“It’s a little bit like Forrest Gump’s box of chocolates: you never know what you’re going to...

Read More

What It’s Like To Be A Female Fight Director

Posted by Kate Youde | 12th Apr 2018 | Interview, Stage Combat, Theatre and Gender, United Kingdom

“We will not glorify violence” Visit Ruth Cooper-Brown at the weekend and you might...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

Truth and Reconciliation in “Under the Shade… by Verity Healey 2nd January 2026
Sharing Crafts, Or Laboratory Space by Kiki Selioni 12th January 2026
“With Ruby and I” – review –… by Verity Healey 3rd January 2026
Writing Across Taiwan and Macau: An Interview with… by Kuan-Ting Lin 6th January 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
“El entusiasmo” (The Enthusiasm) at… by Maria Delgado 26th December 2025
Echoes of a Crumbling Republic: Review of… by Susanna Sun 4th January 2026
What Happens In Mecca, Stays In Mecca:… by Marina Johnson 31st December 2025
Edinburgh Festival Fringe 2025: Provisional Futures… by Duška Radosavljević 25th August 2025
“Leili And Majnun:” An Ancient Love Story For Modern Times by L. Peter Callender 3rd January 2026

Recent Posts

Kia Mau Festival Brings Hana Keaka (Hawaiian Language Theatre) to Aotearoa: “Puana” by Tammy Haili‘ōpua Baker 29th January 2026
“Before The Storm” (“Prima Del Temporale”) At Milan’s Piccolo Teatro 27th January 2026
How to Make Rube Goldberg Punk Rock: Narcissister’s “Voyage Into Infinity” 27th January 2026
Martin Crimp’s Version Of “The Seagull” Makes It To The German Stage 26th January 2026
Under The Radar Fest: Testo 23rd January 2026
Sharing Crafts, Or Laboratory Space 12th January 2026
For Bremen’s Re-Launched Packhaustheater, The Emphasis Shifts From Local Topics To Local Acting Celebrities 8th January 2026
Alan Ayckbourn’s Woman in Mind at the Duke of York’s Theatre: Starry West End Staging Is More Visually Delightful Than Emotionally Compelling 8th January 2026
Leading with Risk, Trust, and Intuition: An Exclusive Interview with Director Charles Newell on Berlin’s Rehearsal Room 7th January 2026
Writing Across Taiwan and Macau: An Interview with Taiwanese Playwright Chiao-Jung Chen 6th January 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest