“Albion” Returns to The Almeida, but Falls Short of Its Political Aspirations
There is nothing wrong with Albion. But the fact that the play is now ‘returning’ to the Almeida...
Read MoreJulian de Medeiros is a cultural critic and lecturer in Politics at Oxford Brookes University. He also writes on opera, film, and classical music.
Posted by Julian De Medeiros | 25th Feb 2020 | London, Review, Theatre and Politics, United Kingdom
There is nothing wrong with Albion. But the fact that the play is now ‘returning’ to the Almeida...
Read MorePosted by Julian De Medeiros | 17th Jan 2020 | Adaptation, London, Review, Theatre and Gender, United Kingdom
In her contemporary re-working of Sophocles’ tragedy, Lulu Raczka has chosen to...
Read MorePosted by Julian De Medeiros | 20th Dec 2019 | London, Musical Theatre, Review, United Kingdom
Amanda Palmer has not come to entertain. Instead, she has written and designed what feels like an...
Read MorePosted by Julian De Medeiros | 14th Dec 2019 | Adaptation, London, Nigeria, Review, Theatre and Decolonization, Theatre and Gender, United Kingdom
In recent years there has been a resurgence of progressive adaptations of Chekhov’s realist...
Read More

Dostoevsky on Stage. “The Mutt” by Anoushka… by Vassili Schedrin 7th December 2025
“L’amor venia amb taxi” (Love Arrived By… by Maria Delgado 28th December 2025
The Theater of Metaverse by Hayel Ali Al-Mathabi 10th May 2025 
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
A Theatre Of Boredom And Theatrical Distrust (André… by S.E. Gontarski 4th December 2025 

