Jozefina Komporaly and Katalin Demeter
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Most Popular Posts
Prominent American Theatre Scholar, Elinor Fuchs, Dies at 91 by The Theatre Times 28th May 2024 Igor Vuk Torbica (1987 – 2020) – Balkan… by Emilija Kvočka 13th May 2024 Sentimentality and Mentality, Apocalypse and… by Emilija Kvočka 16th June 2024 “Miss Saigon”: Déjà vu. An exclusive… by Lisa Monde 21st May 2024 Theatre as Confrontation: Catherine Filloux’s… by Rhiannon Ling 4th June 2024 Musical “Evita”: 45 Years Later by Lisa Monde 22nd February 2024 “Habitat” by Doris Uhlich: Performing a… by Marilena Borriello 6th August 2023 Happy Birthday Nuria Espert: “a Great Actor And a… by Maria Delgado 11th June 2024 When Theatre Meets Gaming: “Third Law”… by Rhiannon Ling 1st June 2024 Netherworld or Right Now? by Marcina Zaccaria 17th June 2024
Recent Posts
- CPH Stage Festival 2024 18th June 2024
- Netherworld or Right Now? 17th June 2024
- Hopes, Dreams, Revenants and Repetitions: La Zaranda’s “Manual Para Armar Un Sueño/Manual For Building A Dream” At Barcelona’s Teatre Romea 16th June 2024
- Sentimentality and Mentality, Apocalypse and Theatrical Eclipse at 69th Sterijno Pozorje 16th June 2024
- Happy Birthday Nuria Espert: “a Great Actor And a Force of Nature” 11th June 2024
- Sanaz Toossi’s English at the Kiln Theatre: Pulitzer Prize-Winning Play Shows the Impacts of a Second Language on Identity 10th June 2024
- Theatre as Confrontation: Catherine Filloux’s “How to Eat an Orange” at La MaMa 4th June 2024
- When Theatre Meets Gaming: “Third Law” at Culture Lab LIC 1st June 2024
- Prominent American Theatre Scholar, Elinor Fuchs, Dies at 91 28th May 2024
- “Ronja, the Robber’s Daughter:” Theater Conventions for Kids 22nd May 2024