Hansol Oh

regional managing editor

h.oh@thetheatretimes.com

Hansol Oh is a writer, translator, and a PhD candidate in Theatre and Performance at the CUNY Graduate Center. In her research project, she examines how labour is spectacularized in contemporary US American theatre in the context of neoliberalization. Her academic and critical essays have appeared in Theatre and Performance Design, Platform, Exeunt Magazine NYC, and The Musical, a Seoul-based Korean language musical magazine.

Find Your Voice, Loud and Clear: Musical “Il Tenore” Review

Posted by Hansol Oh | 21st Mar 2024 | Musical Theatre, Review, South Korea

It is 1930s Kyeongseong (what Seoul was called during the Japanese occupation), and the colonial...

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A Woman and an Immigrant, but Most of All, a Scientist: Musical “Marie Curie” Review

Posted by Hansol Oh | 13th Jan 2021 | Musical Theatre, Review, South Korea, Theatre and Science

Marie Curie, whose image as an unsmiling scientist wearing a high-necked, black dress has been...

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