Gabriel Vivas-Martínez.
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Gabriel Vivas-Martínez is an actor, theatre-maker and researcher based in London. He holds a BA (Hons) with distinction in Drama from the Superior Dramatic Art School of Castilla & León (Spain) and an MA in Artistic, Literary and Cultural Studies from the Autonomous University of Madrid. He has worked as a theatre facilitator and director in countries such as The Netherlands, Italy, Hungary, Romania, South Africa, and the UK. In educational programs of the European Commission, he works as a freelancer trainer of Performing Arts techniques for youth workers and educators across Europe. He recently finished his MA in Applied Theatre (Drama for the Community and Drama Education) at The Royal Central School of Speech and Drama, University of London and is currently conducting his PhD research about masculinity and socially engaged theatre-making in the same institution.
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Most Popular Posts
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Recent Posts
- Retro-futurist Green Theatre: Trick of the Light’s “Suitcase Show” 2nd May 2024
- Follies and Murder Ballads and Extinction, Oh My!: New York City Fringe 2024 28th April 2024
- “Without a State:” a Collision Between Migration and the Perpetual Pursuit of Identity and Belonging 23rd April 2024
- “That Perfect Dark”: Samuel Beckett’s “Company” in Dunedin 19th April 2024
- Anything Can Be Bought If The Price Is Right: Juan Mayorga’s “La Colección” (The Collection) 12th April 2024
- Staging Justice: Miguel del Arco revisits Jordi Casanovas’ “Jauría” and the case of “la manada” (the wolfpack) 9th April 2024
- Towards New Theatre in Europe: What Roles Can Multilingual Dramaturgies Play in Europe’s Future(s)? 8th April 2024
- Milan’s FOG Festival 7th April 2024
- Between The REMBELIO OF POPOLARI (“Omilies”, Carnevals, Anonymous Poets) And No Stable Funding 4th April 2024
- The Silent Service of Women: Cayenne Douglass’s “Maiden Voyage” at The Flea 2nd April 2024
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