Gabriel Vivas-Martínez.

artistic director
Gabriel Vivas-Martínez is an actor, theatre-maker and researcher based in London. He holds a BA (Hons) with distinction in Drama from the Superior Dramatic Art School of Castilla & León (Spain) and an MA in Artistic, Literary and Cultural Studies from the Autonomous University of Madrid. He has worked as a theatre facilitator and director in countries such as The Netherlands, Italy, Hungary, Romania, South Africa, and the UK. In educational programs of the European Commission, he works as a freelancer trainer of Performing Arts techniques for youth workers and educators across Europe. He recently finished his MA in Applied Theatre (Drama for the Community and Drama Education) at The Royal Central School of Speech and Drama, University of London and is currently conducting his PhD research about masculinity and socially engaged theatre-making in the same institution.
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Most Popular Posts
Mikhoels by Freud: “The Singing… by Vassili Schedrin 31st May 2022
9 New Names in Russian Ballet That You Should Know by Arly Rubens 3rd July 2021
“Theater Now Is Important, It Gives People the… by Raluca Rădulescu 18th May 2022
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Bess Wohl’s “Camp Siegfried” at the Old… by Aleks Sierz 27th September 2021
A Manifesto for the Future Stage: Performance Is a… by Future Stage Research Group At MetaLAB At Harvard 20th November 2021
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“The Haunting of Susan A” at The… by Konrad Zielinski 14th June 2022
The Meaning of Theater: Slava Stepnov’s “Flawed… by Vassili Schedrin 17th June 2022
Here’s to the Ladies who Lunch: One of Sondheim’s… by Narelle Yeo 10th January 2022
Recent Posts
- “Lotus Beauty,” Hampstead Theatre 22nd June 2022
- From a Position of Perspectives: An Interview with Patrice Pavis 21st June 2022
- Chennai Theatre Veteran PC Ramakrishna Turns Author with “Find Your Voice” 20th June 2022
- With the Hope to Make Telugu Theater a Sustainable Career Option 19th June 2022
- “House of Ife,” Bush Theatre 18th June 2022
- The Meaning of Theater: Slava Stepnov’s “Flawed Choir” at the Steps Theatre 17th June 2022
- When City Streets Record Fading Performance Traditions 16th June 2022
- Black Second-Act Problems: “Black No More” by The New Group 15th June 2022
- “The Haunting of Susan A” at The King’s Head Theatre 14th June 2022
- Director Maria Mileaf and Actor Aline Salloum on Oren Safdie’s High School Crush Gone Sideways, “Gratitude” 13th June 2022