Corrie Tan

author

Liu Xiaoyi: Bending Space And Time In The Theatre

Posted by Corrie Tan | 31st Jan 2019 | Essay, Singapore

As part of the Asian Theatremakers series Liu Xiaoyi and I are arranging for a time and date to...

Read More

Artistic Collaborations In Southeast Asia–Current Gaps And What’s Next For Producers

Posted by Corrie Tan | 13th Dec 2018 | Interview, Producing, Singapore, Transcultural Collaborations

Intercultural Interlocutors: Tay Tong and Faith Tan, Part III *This is part 3 of a 3 part...

Read More

Pushing Early Regional Exchanges And Responding To Artists’ Needs

Posted by Corrie Tan | 12th Dec 2018 | Interview, Producing, Singapore, Transcultural Collaborations

Intercultural Interlocutors: Tay Tong and Faith Tan, Part II *This is part 2 of a 3 part article. ...

Read More

A Producer’s Life–Catalysing Exchanges And Supporting Art-Making In Southeast Asia

Posted by Corrie Tan | 11th Dec 2018 | Interview, Producing, Singapore, Transcultural Collaborations

Intercultural Interlocutors: Tay Tong and Faith Tan, Part I *This is part 1 of a 3 part article. ...

Read More

Yukio Ninagawa, The Architect Of Cultural Crossroads

Posted by Corrie Tan | 20th Nov 2018 | Directing, Essay, Japan

Part of the Asian Theatremakers series I met the late Japanese director Yukio Ninagawa in 2013...

Read More

Life Isn’t a Beach in “Einstein in the Carpark”

Posted by Corrie Tan | 13th Mar 2018 | Festivals, Immersive Theatre, Review, Singapore

If the avant garde director Robert Wilson died and went to purgatory, Einstein in the Carpark is...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

Dostoevsky on Stage. “The Mutt” by Anoushka… by Vassili Schedrin 7th December 2025
“L’amor venia amb taxi” (Love Arrived By… by Maria Delgado 28th December 2025
A Theatre Of Boredom And Theatrical Distrust (André… by S.E. Gontarski 4th December 2025
The Theater of Metaverse by Hayel Ali Al-Mathabi 10th May 2025
Witty Revival Of 2022 Pollesch “Liebe, Einfach… by Daniel Meyer-Dinkgräfe 12th December 2025
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
Faustin Linyekula’s Missing Bodies: “My body,… by Ilinca Todoruţ 26th December 2025
3sisters at the Novi Sad Theatre by Emilija Kvočka 7th November 2025
Tom Block Sparks Arts Activists by Marcina Zaccaria 11th December 2025
“Aşınma” (“Corrosion”): A… by Seda Ilter 23rd November 2025

Recent Posts

“Leili And Majnun:” An Ancient Love Story For Modern Times 3rd January 2026
“With Ruby and I” – review – more McDonagh than Robinson 3rd January 2026
Truth and Reconciliation in “Under the Shade of a Tree I Sat and Wept” – Kosovo 2nd January 2026
Thought-Provoking Crime Drama And Star Vehicle: “Nebenan” At The Renaissance Theater, Berlin 2nd January 2026
Learning To Listen, Struggling To Hear: Katie Mitchell’s “Cow / Deer” 2nd January 2026
Gender Allows A Different Perspective On Ibsen’s “Der Volksfeind” (“An Enemy Of The People”) In Bremerhaven 1st January 2026
What Happens In Mecca, Stays In Mecca: “Pilgrimage” By Humaira Ghilzai And Bridgette Dutta Portman 31st December 2025
“Historia de una maestra” (Story of a Teacher) at Madrid’s Teatro Valle-Inclán: Arguing for Education as a Way of Life 28th December 2025
Lolita Flores Places Poncia Centre-stage: A New Re-fashioning of “The House of Bernarda Alba” 28th December 2025
“L’amor venia amb taxi” (Love Arrived By Taxi): La Cubana’s Affectionate Homage to the Catalan Amateur Theatre 28th December 2025

SEARCH OUR ARCHIVES

Pin It on Pinterest