Alexander Barkar

author

Dmitry Krymov Plumbs the Depths of Memory (part 2)

Posted by Alexander Barkar | 26th Feb 2022 | Design, Directing, Review, Russia

This is part 2 of a piece on Dmitry Krymov’s Everyone Is Here. For part 1, click here. Along...

Read More

Dmitry Krymov Plumbs the Depths of Memory (part 1)

Posted by Alexander Barkar | 25th Feb 2022 | Design, Directing, Review, Russia

There is one wonderful detail in the Russian language. The letter E (“ye”) can be absolutely...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

Truth and Reconciliation in “Under the Shade… by Verity Healey 2nd January 2026
Dostoevsky on Stage. “The Mutt” by Anoushka… by Vassili Schedrin 7th December 2025
“L’amor venia amb taxi” (Love Arrived By… by Maria Delgado 28th December 2025
The Theater of Metaverse by Hayel Ali Al-Mathabi 10th May 2025
Witty Revival Of 2022 Pollesch “Liebe, Einfach… by Daniel Meyer-Dinkgräfe 12th December 2025
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
“El entusiasmo” (The Enthusiasm) at… by Maria Delgado 26th December 2025
Faustin Linyekula’s Missing Bodies: “My body,… by Ilinca Todoruţ 26th December 2025
Tom Block Sparks Arts Activists by Marcina Zaccaria 11th December 2025
3sisters at the Novi Sad Theatre by Emilija Kvočka 7th November 2025

Recent Posts

Writing Across Taiwan and Macau: An Interview with Taiwanese Playwright Chiao-Jung Chen 6th January 2026
“Leili And Majnun:” An Ancient Love Story For Modern Times 3rd January 2026
“With Ruby and I” – review – more McDonagh than Robinson 3rd January 2026
Truth and Reconciliation in “Under the Shade of a Tree I Sat and Wept” – Kosovo 2nd January 2026
Thought-Provoking Crime Drama And Star Vehicle: “Nebenan” At The Renaissance Theater, Berlin 2nd January 2026
Learning To Listen, Struggling To Hear: Katie Mitchell’s “Cow / Deer” 2nd January 2026
Gender Allows A Different Perspective On Ibsen’s “Der Volksfeind” (“An Enemy Of The People”) In Bremerhaven 1st January 2026
What Happens In Mecca, Stays In Mecca: “Pilgrimage” By Humaira Ghilzai And Bridgette Dutta Portman 31st December 2025
“Historia de una maestra” (Story of a Teacher) at Madrid’s Teatro Valle-Inclán: Arguing for Education as a Way of Life 28th December 2025
Lolita Flores Places Poncia Centre-stage: A New Re-fashioning of “The House of Bernarda Alba” 28th December 2025

SEARCH OUR ARCHIVES

Pin It on Pinterest