Maja Stefanovska

author

The Neverending Story: NAC’s Production a Visual Feast Which Doesn’t Quite Gel with the Story

Posted by Maja Stefanovska | 7th Feb 2020 | Adaptation, Canada, Review

The Neverending Story is a testament to the importance of imagination and the power of stories....

Read More

“Oleanna:” SevenThirty Production’s Excellent Take on Flawed Script

Posted by Maja Stefanovska | 21st Nov 2019 | Canada, Review, Theatre and Gender

David Mamet’s play Oleanna is about the power struggle between a university professor and one of...

Read More

“Old Stock: A Refugee Love Story” – Form Gets In The Way Of Important, Heartfelt Story

Posted by Maja Stefanovska | 13th Nov 2019 | Canada, Musical Theatre, Review

Hannah Moscovitch has a rare gift for portraying sincere, nuanced relationships. To watch her...

Read More

“What A Young Wife Ought To Know”: Birth Control Docudrama

Posted by Maja Stefanovska | 2nd Feb 2018 | Canada, Review, Theatre and Gender

Hannah Moscovitch’s play What A Young Wife Ought To Know, which is based on a compilation of...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

Santiago’s Teatro a Mil 2026: theatre, democracy and… by Maria Delgado 4th February 2026
Sharing Crafts, Or Laboratory Space by Kiki Selioni 12th January 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
Echoes of a Crumbling Republic: Review of… by Susanna Sun 4th January 2026
What Happens In Mecca, Stays In Mecca:… by Marina Johnson 31st December 2025
Writing Across Taiwan and Macau: An Interview with… by Kuan-Ting Lin 6th January 2026
Edinburgh Festival Fringe 2025: Provisional Futures… by Duška Radosavljević 25th August 2025
The Theater of Metaverse by Hayel Ali Al-Mathabi 10th May 2025
“El entusiasmo” (The Enthusiasm) at… by Maria Delgado 26th December 2025
Martin Crimp’s Version Of “The Seagull”… by Daniel Meyer-Dinkgräfe 26th January 2026

Recent Posts

The “Screen / Stage” Programme At The Between.Pomiędzy Festival 2025 6th February 2026
In Oldenburg’s “The Tempest,” Trusting The Text Pays Off 6th February 2026
Enzo Moscato. “I Can’t Tell The Story Of My Life” (“Non Posso Narrare La Mia Vita”) 6th February 2026
Raising Fists and Sharing Bread: Tiziano Cruz’s “Wayqeycuna” (Argentina) 5th February 2026
Santiago’s Teatro a Mil 2026: theatre, democracy and artistic responsibility 4th February 2026
“A Place Of Safety, A Journey In The Central Mediterranean” 3rd February 2026
Kia Mau Festival Brings Hana Keaka (Hawaiian Language Theatre) to Aotearoa: “Puana” by Tammy Haili‘ōpua Baker 29th January 2026
“Before The Storm” (“Prima Del Temporale”) At Milan’s Piccolo Teatro 27th January 2026
How to Make Rube Goldberg Punk Rock: Narcissister’s “Voyage Into Infinity” 27th January 2026
Martin Crimp’s Version Of “The Seagull” Makes It To The German Stage 26th January 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest