Henrietta Baird’s “The Weekend” Proves the Enduring Power of Solo Performance
If this year’s Sydney Festival is any indication, the monologue is back. So far, I have seen...
Read MorePosted by Caroline Wake | 24th Feb 2020 | Australia, Festivals, Review
If this year’s Sydney Festival is any indication, the monologue is back. So far, I have seen...
Read MorePosted by Nobuko Tanaka | 24th Feb 2020 | Japan, News, Theatre and Age
In theater, as in daily life, it is possible to have too much of a good thing. Such was the case...
Read More


Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026 
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026 
Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026