Cultural Participation Policies: A Poverty of Ambitions
This series of articles was commissioned in preparation for the IETM Plenary Meeting in Rijeka,...
Read MorePosted by David Stevenson | 4th Nov 2019 | Essay, Management, United Kingdom
This series of articles was commissioned in preparation for the IETM Plenary Meeting in Rijeka,...
Read MorePosted by Alexander Mantush | 4th Nov 2019 | Belarus, Europe, Interview
Oksana Haiko is an actress, art-manager and one of the founders of Brest-based theatre “Kryly...
Read MorePosted by Renu Ramanath | 4th Nov 2019 | Adaptation, Immersive Theatre, India, Review
Four strangers, a car and a video call make the play Bhranthu an unconventional visual experience....
Read MorePosted by Alastair Blanshard | 4th Nov 2019 | Australia, Musical Theatre, Review
Comedy often succeeds where tragedy fails. Fangirls, the pop musical which premiered on Thursday...
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A Theatre Of Boredom And Theatrical Distrust (André… by S.E. Gontarski 4th December 2025
Dostoevsky on Stage. “The Mutt” by Anoushka… by Vassili Schedrin 7th December 2025 

The 12th Dangdai Xiao Juchang Xiqu Jie (Contemporary… by Xunnan Li And Yuan Du 2nd December 2025
The Queen of Versailles Musical or the Funeral of… by Lisa Monde 29th October 2025 


Evil Can Appear Beautiful by Margaret Rose 23rd November 2025