“Swan Song”: Between Prophecy and Epitaph
A provincial theatre celebrates an anniversary. In the dressing room — two men: a comic and a...
Read MorePosted by Emiliia Dementsova | 5th Aug 2025 | Adaptation, Azerbaijan, Review, Theatre and Politics
A provincial theatre celebrates an anniversary. In the dressing room — two men: a comic and a...
Read MorePosted by Minakhanim Gurbanova | 16th Sep 2023 | Adaptation, Azerbaijan, Review
It has become common practice to spend time on social networks at certain hours of the day,...
Read MorePosted by Emiliia Dementsova | 9th Aug 2023 | Azerbaijan, Dramaturgy, Interview
Ulviyya Heydarova: “I switch on my computer, open Word and put my heart and thoughts into...
Read MorePosted by Seyyare Khalfina | 23rd Jun 2023 | Adaptation, Azerbaijan, Review
The smooth curves of the fancy building, with no sharp angles, were embraced by the spicy Baku...
Read MorePosted by Tarlan Rasulov | 18th Mar 2023 | Azerbaijan, Directing, Dramaturgy, Essay
The term of ritual has always been an object for endless discussions amongst theologians, cultural...
Read MorePosted by Emiliia Dementsova | 20th Dec 2022 | Azerbaijan, Festivals, News, Review, Theatre Olympics 2023
When the non-peaceful world is illuminated by the bursts of shells, it seems that other...
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Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 
Isolation, Consumer Desire and the Human Spirit: A… by David O'Donnell 2nd March 2026
“Is Love Energy Or Matter?” An Interview With Rok… by Ivanka Apostolova Baskar 11th March 2026 
“Digital Access To The Performing Arts”… by The Theatre Times 7th March 2026 