Wu Haiyun

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Interview With Jin Xing on Drama, Dance, Freedom

Posted by Wu Haiyun | 18th Aug 2017 | China, Interview, Theatre and Dance, Theatre and Gender

Jin Xing, one of China’s most popular TV hosts, dancers, and actresses, is returning to one of her...

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New Play on Lu Xun, China’s Most Celebrated Modern Writer, Attracts Praise, Controversy

Posted by Wu Haiyun | 5th Aug 2017 | China, Review, Theatre and Politics

A giant statue overlooks the stage, faceless yet easily recognizable as the Great Helmsman, Mao...

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Traditional Chinese Opera Plots to Charm Politicians

Posted by Wu Haiyun | 12th Jul 2017 | China, Essay, Theatre and Opera

Modern-day opera about poverty alleviation attracts the attention — and wallets — of government...

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Kia Mau Festival Brings Hana Keaka (Hawaiian Language Theatre) to Aotearoa: “Puana” by Tammy Haili‘ōpua Baker 29th January 2026
“Before The Storm” (“Prima Del Temporale”) At Milan’s Piccolo Teatro 27th January 2026
How to Make Rube Goldberg Punk Rock: Narcissister’s “Voyage Into Infinity” 27th January 2026
Martin Crimp’s Version Of “The Seagull” Makes It To The German Stage 26th January 2026
Under The Radar Fest: Testo 23rd January 2026
Sharing Crafts, Or Laboratory Space 12th January 2026
For Bremen’s Re-Launched Packhaustheater, The Emphasis Shifts From Local Topics To Local Acting Celebrities 8th January 2026
Alan Ayckbourn’s Woman in Mind at the Duke of York’s Theatre: Starry West End Staging Is More Visually Delightful Than Emotionally Compelling 8th January 2026
Leading with Risk, Trust, and Intuition: An Exclusive Interview with Director Charles Newell on Berlin’s Rehearsal Room 7th January 2026
Writing Across Taiwan and Macau: An Interview with Taiwanese Playwright Chiao-Jung Chen 6th January 2026

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