Wu Haiyun

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Interview With Jin Xing on Drama, Dance, Freedom

Posted by Wu Haiyun | 18th Aug 2017 | China, Interview, Theatre and Dance, Theatre and Gender

Jin Xing, one of China’s most popular TV hosts, dancers, and actresses, is returning to one of her...

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New Play on Lu Xun, China’s Most Celebrated Modern Writer, Attracts Praise, Controversy

Posted by Wu Haiyun | 5th Aug 2017 | China, Review, Theatre and Politics

A giant statue overlooks the stage, faceless yet easily recognizable as the Great Helmsman, Mao...

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Traditional Chinese Opera Plots to Charm Politicians

Posted by Wu Haiyun | 12th Jul 2017 | China, Essay, Theatre and Opera

Modern-day opera about poverty alleviation attracts the attention — and wallets — of government...

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FITPTI – International Festival For Young Audiences 2025 – A Northeastern Romanian Story 31st October 2025
Tanika Gupta’s “Hedda” at the Orange Tree Theatre: A Fresh And Fascinating Reinterpretation Of A Classic Which Foregrounds The Issues Of Race And Empire 30th October 2025
The Queen of Versailles Musical or the Funeral of the “American dream.” 29th October 2025
Adaptations On The German Stage (1): “Sein Oder Nicht Sein” In Bremerhaven 29th October 2025
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LegalAlien’s “The Flowers of Srebrenica”: Theatre as Healing 27th October 2025
Nick Payne’s “The Unbelievers” at the Royal Court Theatre: Latest Play By A Top New Writer Is Disappointingly Unfocused 26th October 2025
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“All Right. Good Night.:” A Poetic Meditation on the Art of Letting Go 20th October 2025

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