Tarlan Rasulov

regional managing editor

t.rasulov@thetheatretimes.com

Tarlan Rasulov is a theater director, founder of the dOM independent theater company (Azerbaijan), translator, manager, producer, writer and performance scholar. He is a PhD Candidate in Theater Studies of the University of Culture and Arts of Azerbaijan. Head of the laboratory of the Experimental Theater and Consultant of Azerbaijan Theater Union. Tutor in Azerbaijan State University of Culture and Arts. Member of EURODRAM-European network for drama in translation, East European Performing Arts Platform, Guild of Professional Filmmakers of Azerbaijan, Azerbaijan Theater Union. Participant of many theatrical conferences and festivals. His immersive performance "Limbo" (dedicated for World Refugee Day) won a special prize "For the development of a new stage space and ways of communication with the audience" at the VII International Festival of Turkic-speaking theaters "Tuganlyk" in 2019. Selected projects: Youth Arts Festival (2001); “Say NO now” TV action for performing youth activity against AIDS with UNISEF and SPACE TV (2004); Anti-terror action with “NEW WAVE” Writers’ Union (2007); Theatre in Young Offenders’ Center with Open Society Institute Foundation (2007); “Against Human Traffic” with OSCE and Ministry of Internal Affairs of Azerbaijan (2007); AT THE BORDER performance with Adam Mickiewicz Institute (2013); THE DOLL’S HOUSE performance with ALOFF Theatre (UK) (2016); DO IT BETTER THAN ME - Community Theatre project for disabled people (2016); “ERROR” (2016–2017); “IN THE SUN” (Forum theatre)(2017-2018); Breaking Bad News (UK) (2019); “Blast from Past” for YARAT theatre club (2021); “A Fellow Traveler on The Road to Hell” at ARTIM PROJECT SPACE (2022), etc.

Touching the Azerbaijani Theatre: From Ritual to Spontaneity

Posted by Tarlan Rasulov | 18th Mar 2023 | Azerbaijan, Directing, Dramaturgy, Essay

The term of ritual has always been an object for endless discussions amongst theologians, cultural...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

The Queen of Versailles Musical or the Funeral of… by Lisa Monde 29th October 2025
FITPTI – International Festival For Young… by Teodora Medeleanu 31st October 2025
“Trilogia Cadela Força – Capítulo II:… by Jenny Strataki 6th August 2025
3sisters at the Novi Sad Theatre by Emilija Kvočka 7th November 2025
Six-Hour Tour De Force “Hamlet” In Hamburg,… by Daniel Meyer-Dinkgräfe 27th October 2025
Jack Holden’s The Line of Beauty at the Almeida… by Aleks Sierz 2nd November 2025
LegalAlien’s “The Flowers of… by Verity Healey 27th October 2025
Tanika Gupta’s “Hedda” at the Orange… by Aleks Sierz 30th October 2025
The Filmed Performance “Woodland Bird… by Martin Blaszk 9th November 2025
James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025

Recent Posts

Thriving in an Either-Or World: An Interview with Taiwan-based Pangcah Theatre Artist Ihot Sinlay Cihek 19th November 2025
Dimension Zero: All Judy, No Punch 17th November 2025
Nearly Finished 15th November 2025
The Filmed Performance “Woodland Bird Woman” – a Collaboration Between Esther Salamon, Robert Laycock And David Stephenson: Between.Pomiędzy Dispersed Festival 2025 9th November 2025
3sisters at the Novi Sad Theatre 7th November 2025
Jack Holden’s The Line of Beauty at the Almeida Theatre: A Subtle And Appealing Adaptation Of A Modern Classic 1980s Story 2nd November 2025
Checking The Boxes 1st November 2025
FITPTI – International Festival For Young Audiences 2025 – A Northeastern Romanian Story 31st October 2025
Tanika Gupta’s “Hedda” at the Orange Tree Theatre: A Fresh And Fascinating Reinterpretation Of A Classic Which Foregrounds The Issues Of Race And Empire 30th October 2025
The Queen of Versailles Musical or the Funeral of the “American dream.” 29th October 2025

SEARCH OUR ARCHIVES

Pin It on Pinterest