“In Two Minds.” Female Led Irish Storytelling
In Two Minds, produced by Dublin’s celebrated multi-award winning Fishamble, is playing at...
Read MorePosted by Margaret Rose | 15th Aug 2024 | Edinburgh 2024, Festivals, Ireland, Review, Theatre and Science, United Kingdom
In Two Minds, produced by Dublin’s celebrated multi-award winning Fishamble, is playing at...
Read MorePosted by Margaret Rose | 14th Aug 2024 | Edinburgh 2024, Festivals, Netherlands, Review, United Kingdom
Director of the Edinburgh International Festival (EIF), Nicola Benedetti, chose ‘Rituals that...
Read MorePosted by Margaret Rose | 14th Aug 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
Hamlet, along with A Midsummer Night’s Dream, The Tempest and Macbeth, are probably the...
Read MorePosted by Margaret Rose | 13th Aug 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
Amy Liptrot’s bestselling memoir, The Outrun (2016) has recently been genre hopping. In January...
Read MorePosted by Margaret Rose | 28th Jul 2024 | Festivals, Italy, Review, Transmedia
This year’s Theatre Biennale (15 to 30 June), entitled, Niger and Albus (Black and White), sees...
Read MorePosted by Margaret Rose | 18th Jul 2024 | Dramaturgy, Festivals, Italy, Review
After Brexit, UK productions very rarely play in Italy, but Biennale theatre directors Gianni...
Read MorePosted by Margaret Rose | 14th May 2024 | Festivals, Italy, Theatre and Art
Together with Wayne McGregor’s dance piece, UniVerse: A Dark Crystal Odyssey, Romeo Castellucci’s...
Read MorePosted by Margaret Rose | 7th Apr 2024 | Festivals, Immersive Theatre, Italy
Milan’s international multidisciplinary performance art festival FOG, featuring theatre, music,...
Read MorePosted by Margaret Rose | 1st Mar 2024 | Italy, Review, Theatre and Religion
Writer, actor, and director Ascanio Celestini is one of Italy’s most celebrated theatrical...
Read MorePosted by Margaret Rose | 1st Dec 2023 | Essay, Italy, Theatre and Age
Since 2015 my theatre studies colleague, Cristina Cavecchi, and I have been leading Shakespeare...
Read MorePosted by Margaret Rose | 15th Oct 2016 | Dramaturgy, Essay, Italy, Playwriting
“While Italy this year is celebrating 150 years as a single nation state, in many fields any sense of unity is still tenuous. Theatre and contemporary playwriting are no exceptions to this rule.” – Margaret Rose
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Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 

David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026 
From Shakespeare To Contemporary Montenegrin… by Ivanka Apostolova Baskar 25th March 2026 
The 2026 International Ibsen Award: A Reflection On… by International Ibsen Award Committee 2026 27th March 2026 
