Marjan Moosavi

regional managing editor

m.moosavi@thetheatretimes.com

Marjan Moosavi received her Ph.D. in Theatre and Performance Studies from University of Toronto’s Centre for Drama, Theatre and Performance Studies, where she also trained in the theory and craft of theatre-making, dramaturgy, and diasporic performances. She has served as a faculty member and designed curricula for the University of Toronto, York University (Canada), Portland State University (U.S.A), and Parand Azad University (Iran). She is the Founder and Principal Investigator of the Digital Guide to Theater of the Middle East. Recent collaborations include those with Gatherings (University of Toronto), IPCCR (International Program for Creative Collaboration & Research, University of Maryland), and Nowadays Theatre (Toronto). She is the author of several book chapters, reviews, and scholarly articles published in The Drama Review (TDR), New Theatre Quarterly, Asian Theatre Journal, Ecumenica and online journals (Critical Stages, Arab Stages, and TheTheatreTimes). She is also the Principal Investigator and Curator for the First Photo Exhibition on the Middle Eastern Theatre. More about Marjan: marjanmoosavi.com

“The Whispers Behind the Battle Line” Revived on the Tehran Stage

Posted by Marjan Moosavi | 28th Jul 2016 | Iran, Review, Theatre and Politics

The Whispers Behind the Battle Line is written by Alirezā Nāderi and directed by Mohammad Rezā...

Read More

1
2

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
A Theatre Like Society In The Fundamentalist… by Ivanka Apostolova Baskar 23rd May 2026
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026
The Precipitation Of Performance: Braddy And Burns… by Paul Shields 6th June 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026
Romeo Castellucci “Believing In Masks” At Milan’s… by Margaret Rose 13th March 2026
“Mothers: A Song for Wartime” by Marta Górnicka at… by Duška Radosavljević 13th May 2026
From A Basketball Athlete To A Political Dissident by Azadeh Kangarani 22nd May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026

Recent Posts

Now In Its 23rd Year, “Komödie Am Altstadtmarkt” In Braunschweig Is Still Going Strong 10th June 2026
The Precipitation Of Performance: Braddy And Burns On Beckett 6th June 2026
“Today, Krleža Would Go Straight For The Throat Of Project-Based Logic” 5th June 2026
Me+Lorca: Juan Diego Botto’s Mesmeric “Una noche sin luna” (A Moonless Night) 3rd June 2026
Corinna Harfouch’s Showpiece Of The Art Of Acting In Haidle’s “Spirit And The Dust” 2nd June 2026
In Pleasant Company: “Girl Dolls” 30th May 2026
“Chroniques” by Peeping Tom at Østre Gasværk Teater Copenhagen 28th May 2026
“Circle Mirror Transformation” 27th May 2026
A Theatre Like Society In The Fundamentalist Capitalism Could Not Survive Without Self-Curated Neomania 23rd May 2026
From A Basketball Athlete To A Political Dissident 22nd May 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest