Kathy Rowland

regional managing editor

k.rowland@thetheatretimes.com

Kathy Rowland is the Managing Editor of ArtsEquator Ltd., a Singapore non-profit arts company which publishes ArtsEquator.com, an online platform focused on arts and culture in Southeast Asia. She has over 20 years experience as an independent editor, writer, researcher and producer. Her articles on the politics of culture have appeared in publications in Hong Kong, Malaysia, Singapore, the US and South Korea. She has edited and introduced several collections of plays and critical writings in Malaysia and Singapore. Kathy has produced theatre and visual arts events in Malaysia, Singapore, South Korea, New York, Australia and Thailand. She is part of the Asia Europe Foundation’s ASEAN Researchers’ program, Regionally Speaking (2016-2018) led by Prof Dr Ruth Bereson of Griffith University and is the Lead Researcher in a theatre archive project run by Five Arts Centre Malaysia (2016/17). Kathy is currently a part-time lecturer at the Faculty for Creative Industries, LASALLE College of the Arts, Singapore. Originally from Malaysia, Kathy is now based in Singapore.

Between Masculinity and Modernity: “Best Of (His Story)”

Posted by Kathy Rowland | 13th Dec 2016 | Review, Singapore, Theatre and Gender

In 2013, award-winning actress Siti Khalijah Zainal brought Singapore’s company, The...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
“Figures In Extinction:” A Dance Trilogy Report by Maria Wojtan, Magdalena Borowska, Natalia Rutkowska, Barbara Herbasz 17th March 2026
“The Devil Wears Prada” and Other… by Lisa Monde 8th February 2026
Isolation, Consumer Desire and the Human Spirit: A… by David O'Donnell 2nd March 2026
From Shakespeare To Contemporary Montenegrin… by Ivanka Apostolova Baskar 25th March 2026
Poetry: The Realm Where Unrealized Ambitions Find… by Ivanka Apostolova Baskar 19th March 2026
“Digital Access To The Performing Arts”… by The Theatre Times 7th March 2026
Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
Marketing, Sales And Production Are Crucial For The… by Ivanka Apostolova Baskar 16th March 2026
“Is Love Energy Or Matter?” An Interview With Rok… by Ivanka Apostolova Baskar 11th March 2026

Recent Posts

On Fire: Luciana Acuña’s “Bailarinas Incendiadas” (Dancers in Flames) 29th March 2026
The 2026 International Ibsen Award: A Reflection On The Winner By The Committee 27th March 2026
Sibling love and loss: Alfredo Sanzól’s new play at Madrid’s Teatro María Guerrero 26th March 2026
Moving Emphasis On Tolerance And Courage In “Nasser # 7 Leben” At The Schnürschuh Theater Bremen 26th March 2026
From Shakespeare To Contemporary Montenegrin Authors, I Aim To Connect With Society Through The Works I Choose 25th March 2026
New York City Fringe Begins April 1 25th March 2026
To speak out or not to speak out?: Claudio Tolcachir directs “Mejor no decirlo/You Shouldn’t Have Said So” at Barcelona’s Teatre Goya 24th March 2026
Waking Up in the Spotlight with “The Unusual Chauncey Faust” 24th March 2026
Poetry: The Realm Where Unrealized Ambitions Find Aesthetic Sublimation 19th March 2026
“Figures In Extinction:” A Dance Trilogy Report 17th March 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest