Kristof Van Baarle

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Cally Spooner: Between Language And Body

Posted by Kristof Van Baarle | 2nd Feb 2019 | Belgium, Essay, Theatre and Dance

Black box and white cube From February 3 till March 18, the Centre d’Art Contemporain in Geneva...

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“Mount Tackle” by Heike Langsdorf / RADICAL_HOPE

Posted by Kristof Van Baarle | 22nd Jan 2017 | Belgium, Immersive Theatre, Review, Transmedia

In this time of superdiversity, with different cultures and strata of the population living...

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Failing to Understand Together: What Is Theatre Seeking In Current Affairs?

Posted by Kristof Van Baarle | 30th Dec 2016 | Belgium, Essay, Theatre and Politics

From the ‘crisis play’ to the ‘memorial play’ to the ‘Syria play,’ current affairs are doing well...

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The Queen of Versailles Musical or the Funeral of… by Lisa Monde 29th October 2025
3sisters at the Novi Sad Theatre by Emilija Kvočka 7th November 2025
“Trilogia Cadela Força – Capítulo II:… by Jenny Strataki 6th August 2025
FITPTI – International Festival For Young… by Teodora Medeleanu 31st October 2025
“Aşınma” (“Corrosion”): A… by Seda Ilter 23rd November 2025
Jack Holden’s The Line of Beauty at the Almeida… by Aleks Sierz 2nd November 2025
The Filmed Performance “Woodland Bird… by Martin Blaszk 9th November 2025
Tanika Gupta’s “Hedda” at the Orange… by Aleks Sierz 30th October 2025
James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025
Conor McPherson’s The Brightening Air at the Old… by Aleks Sierz 29th April 2025

Recent Posts

Adaptations On The German Stage (2): “Der Schimmelreiter” In Oldenburg 28th November 2025
“Aşınma” (“Corrosion”): A Solo Masterpiece About The Contemporary Human 23rd November 2025
Evil Can Appear Beautiful 23rd November 2025
#Me Too Oedipus 20th November 2025
“Liebe Mit Taktgefühl” By Barbara Raue-Flajs, At Piccolo Teatro Haventheater, Bremerhaven: Directorial Reflections 20th November 2025
Thriving in an Either-Or World: An Interview with Taiwan-based Pangcah Theatre Artist Ihot Sinlay Cihek 19th November 2025
Dimension Zero: All Judy, No Punch 17th November 2025
Dupes of Hazard 16th November 2025
Nearly Finished 15th November 2025
The Filmed Performance “Woodland Bird Woman” – a Collaboration Between Esther Salamon, Robert Laycock And David Stephenson: Between.Pomiędzy Dispersed Festival 2025 9th November 2025

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