Elisabeth Leinslie

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New Norwegian Drama and Text-Based Theatre, Part II

Posted by Elisabeth Leinslie | 27th Oct 2016 | Essay, Norway

The independent theatre companies have at all times been champions for developing new texts for...

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Norwegian Avant-Garde Theatre, Part I

Posted by Elisabeth Leinslie | 18th Oct 2016 | Essay, Norway

The Norwegian theatre landscape is vast and heterogeneous; as different as the cultures and the...

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Most Popular Posts

The Queen of Versailles Musical or the Funeral of… by Lisa Monde 29th October 2025
FITPTI – International Festival For Young… by Teodora Medeleanu 31st October 2025
“Trilogia Cadela Força – Capítulo II:… by Jenny Strataki 6th August 2025
3sisters at the Novi Sad Theatre by Emilija Kvočka 7th November 2025
Six-Hour Tour De Force “Hamlet” In Hamburg,… by Daniel Meyer-Dinkgräfe 27th October 2025
Jack Holden’s The Line of Beauty at the Almeida… by Aleks Sierz 2nd November 2025
LegalAlien’s “The Flowers of… by Verity Healey 27th October 2025
Tanika Gupta’s “Hedda” at the Orange… by Aleks Sierz 30th October 2025
The Filmed Performance “Woodland Bird… by Martin Blaszk 9th November 2025
James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025

Recent Posts

“Liebe Mit Taktgefühl” By Barbara Raue-Flajs, At Piccolo Teatro Haventheater, Bremerhaven: Directorial Reflections 20th November 2025
Thriving in an Either-Or World: An Interview with Taiwan-based Pangcah Theatre Artist Ihot Sinlay Cihek 19th November 2025
Dimension Zero: All Judy, No Punch 17th November 2025
Nearly Finished 15th November 2025
The Filmed Performance “Woodland Bird Woman” – a Collaboration Between Esther Salamon, Robert Laycock And David Stephenson: Between.Pomiędzy Dispersed Festival 2025 9th November 2025
3sisters at the Novi Sad Theatre 7th November 2025
Jack Holden’s The Line of Beauty at the Almeida Theatre: A Subtle And Appealing Adaptation Of A Modern Classic 1980s Story 2nd November 2025
Checking The Boxes 1st November 2025
FITPTI – International Festival For Young Audiences 2025 – A Northeastern Romanian Story 31st October 2025
Tanika Gupta’s “Hedda” at the Orange Tree Theatre: A Fresh And Fascinating Reinterpretation Of A Classic Which Foregrounds The Issues Of Race And Empire 30th October 2025

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