“Ghosts of My House” In İstanbul: A Contemporary Canadian Play Out Of Context Or Domesticating Whiteness
It is the 24th of September 2024 in İstanbul, and I’m finding my way through the curvy streets of...
Read MorePosted by Deniz Bașar | 31st Oct 2024 | Review, Theatre and Politics, Turkey
It is the 24th of September 2024 in İstanbul, and I’m finding my way through the curvy streets of...
Read MorePosted by Deniz Bașar | 10th Jul 2024 | Review, Theatre and Politics, United States of America
Perhaps the 2024 production of La MaMa’s Medea, under Zishan Ugurlu’s direction and reimagining,...
Read MorePosted by Deniz Bașar | 10th Jul 2024 | Review, Theatre and Politics, United States of America
To read PART I of this essay, go to this link. The snake that Medea uses to make her...
Read MorePosted by Deniz Bașar | 15th May 2024 | Essay, Theatre and Decolonization, Turkey
TiyatroTem (2001-2017) was established by Şehsuvar Aktaş (b. 1964) and Ayşe Selen (1955-2017) in...
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Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026 

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Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026 
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 
Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026 