Anastasiia Gaishenets

author

“End of Imitation 2.0”: A Digital And Documentary Look At Humanity

Posted by Anastasiia Gaishenets | 15th Aug 2017 | Documentary Theatre, Transmedia, Ukraine

Work on a documentary performance called End of Imitation started last autumn. It was shaped by...

Read More

An Interview With Dima Levytskyi, Post-Dramatic Writer

Posted by Anastasiia Gaishenets | 17th Jul 2017 | Interview, Playwriting, Ukraine

Theatrical season of 2016-2017 finally brought post-dramatic theater to Ukraine. With a...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

The Queen of Versailles Musical or the Funeral of… by Lisa Monde 29th October 2025
Maestras On The Podium: Women Conductors On… by Sariva Goetz 11th October 2025
“Lale Lili Marleen:” The Promising… by Daniel Meyer-Dinkgräfe 10th October 2025
FITPTI – International Festival For Young… by Teodora Medeleanu 31st October 2025
“Trilogia Cadela Força – Capítulo II:… by Jenny Strataki 6th August 2025
Starlight Express The Musical: 40 Years in The Orbit by Lisa Monde 14th November 2024
James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025
Cruelty, Guilt, And Redemption Intertwine In… by Victoria Zavyalova 19th September 2025
Six-Hour Tour De Force “Hamlet” In Hamburg,… by Daniel Meyer-Dinkgräfe 27th October 2025
LegalAlien’s “The Flowers of… by Verity Healey 27th October 2025

Recent Posts

Jack Holden’s The Line of Beauty at the Almeida Theatre: A Subtle And Appealing Adaptation Of A Modern Classic 1980s Story 2nd November 2025
FITPTI – International Festival For Young Audiences 2025 – A Northeastern Romanian Story 31st October 2025
Tanika Gupta’s “Hedda” at the Orange Tree Theatre: A Fresh And Fascinating Reinterpretation Of A Classic Which Foregrounds The Issues Of Race And Empire 30th October 2025
The Queen of Versailles Musical or the Funeral of the “American dream.” 29th October 2025
Adaptations On The German Stage (1): “Sein Oder Nicht Sein” In Bremerhaven 29th October 2025
Meghan Tyler’s “Crocodile Fever” at the Arcola Theatre: Northern Ireland Sisters In A Darkly Funny Anti-Patriarchal Feast Of Symbols 27th October 2025
Six-Hour Tour De Force “Hamlet” In Hamburg, Directed, With Many Ironic Self-References, By Veteran Legendary Frank Castorf 27th October 2025
LegalAlien’s “The Flowers of Srebrenica”: Theatre as Healing 27th October 2025
Nick Payne’s “The Unbelievers” at the Royal Court Theatre: Latest Play By A Top New Writer Is Disappointingly Unfocused 26th October 2025
Barbarians in Midtown 22nd October 2025

SEARCH OUR ARCHIVES

Pin It on Pinterest