Ashley Chang
author
Ashley Chang is a Doctor of Fine Arts Candidate in Dramaturgy and Dramatic Criticism at Yale School of Drama, where she examines the intersections of theater, performance, and ecology in scholarly criticism and artistic practice from the 1990s to the present. She has presented her research at Modern Language Association (MLA), American Society For Theatre Research (ASTR), Association for Theatre in Higher Education (ATHE), Canadian Association for Theatre Research (CATR), and the Beyond Humanism Conference Series, and she is a co-convener of the Ecology & Performance Working Group at the ASTR/TLA Annual Conference. She is the recipient of two Mark Blankenship Awards and a Writing Fellowship from Yale School of Drama; a Digital Humanities Lab Seed Grant from Yale University; and a grant to attend the School of Criticism and Theory at Cornell University. She has served as a Lecturer in the Conservatory of Theatre Arts at Purchase College, an Adjunct Professor in the Department of Theater Arts at University of New Haven, and a teaching fellow at Yale College and Yale School of Drama. Following appointments as Artistic Associate at Page 73, Literary Associate at Yale Repertory Theatre, Co-Artistic Director of Yale Cabaret's 49th season, and Managing Editor of the Yale Theater Management Knowledge Base, she is now Dramaturg at Playwrights Horizons.
Like Us On Facebook

Most Popular Posts
Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 Santiago’s Teatro a Mil 2026: theatre, democracy and… by Maria Delgado 4th February 2026
Isolation, Consumer Desire and the Human Spirit: A… by David O'Donnell 2nd March 2026 “The Devil Wears Prada” and Other… by Lisa Monde 8th February 2026
Picasso’s “Barber” At The Spanish… by Duncan Wheeler 24th February 2026
“Is Love Energy Or Matter?” An Interview With Rok… by Ivanka Apostolova Baskar 11th March 2026
“Digital Access To The Performing Arts”… by The Theatre Times 7th March 2026
Recent Posts
- Romeo Castellucci “Believing In Masks” At Milan’s Fog Festival 13th March 2026
- “Last Call” Brings Us Closer To Bernstein And Von Karajan 13th March 2026
- “Is Love Energy Or Matter?” An Interview With Rok Vilcnik, Slovenian Playwright, Author, Musician, Poet 11th March 2026
- The Piccolo Theatro’s “Miracle In Milan” 11th March 2026
- “An Enemy Of The People:” An Oblique Look At Democracy From Schaubühne Berlin 9th March 2026
- A Beer And A Mop 7th March 2026
- “Digital Access To The Performing Arts” Released Open Access 7th March 2026
- Dea Loher’s New Play “Frau Yamamoto Ist Noch Da” In Bremen And Osnabrück 5th March 2026
- Monster Mash 3rd March 2026
- Isolation, Consumer Desire and the Human Spirit: A Review of “The Chair and the Cello” 2nd March 2026











