Maria João Guardão

author

Contemporary Performing Arts in Portugal: Other Sources of Financial Support

Posted by Maria João Guardão | 22nd Jul 2018 | Essay, Portugal

Aside from public funding, the main funder of contemporary performing arts in Portugal is the...

Read More

Recent Trends In The Portuguese Performing Arts Scene

Posted by Maria João Guardão | 21st Jul 2018 | Essay, Portugal

A recent publication on Portuguese theatre summons up politics, experimentalism, and utopia as...

Read More

Contemporary Performing Arts In Portugal: Local Government Funding

Posted by Maria João Guardão | 17th Jul 2018 | Essay, Portugal

Following European trends and funding, there’s been a move towards state and local governments...

Read More

Contemporary Performing Arts In Portugal: An Overview Pt. 2

Posted by Maria João Guardão | 14th Jul 2018 | Essay, Participatory Theatre, Portugal

This is Part 2 of a 2 part article. Read Part 1 here. The contemporary performing arts scene As...

Read More

Contemporary Performing Arts In Portugal: An Overview Pt. 1

Posted by Maria João Guardão | 7th Jul 2018 | Essay, Portugal

The last IETM plenary meeting in Portugal took place in Lisbon in 1998, with the city at the...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
A Theatre Like Society In The Fundamentalist… by Ivanka Apostolova Baskar 23rd May 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026
“Mothers: A Song for Wartime” by Marta Górnicka at… by Duška Radosavljević 13th May 2026
From A Basketball Athlete To A Political Dissident by Azadeh Kangarani 22nd May 2026
Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Pinocchio. What Is a Person? at MITEM: Who Gets to… by Emiliia Dementsova 8th May 2026

Recent Posts

In Pleasant Company: “Girl Dolls” 30th May 2026
“Chroniques” by Peeping Tom at Østre Gasværk Teater Copenhagen 28th May 2026
“Circle Mirror Transformation” 27th May 2026
A Theatre Like Society In The Fundamentalist Capitalism Could Not Survive Without Self-Curated Neomania 23rd May 2026
From A Basketball Athlete To A Political Dissident 22nd May 2026
Bremen’s Packhaustheater Turns To Artist Paula Modernsohn-Becker 21st May 2026
Chess The Musical: About Human Nature, Not Politics. An Exclusive Interview with Tim Rice 20th May 2026
Richard III at MITEM: When the Monster Is Not Alone 19th May 2026
Theatre – Creating Conditions For What Has Been Silenced To Emerge 16th May 2026
“The Copenhagen Trilogy” by Tove Ditlevsen, adapted by Tom Silkeberg, directed by Anja Suša at Malmö City Theatre 16th May 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest