Malgorzata Dziewulska

author

Grzegorzewski’s Instrumentarium

Posted by Malgorzata Dziewulska | 7th Jun 2010 | Directing, Essay, Poland

Theatre works chiefly through temporal sequences and if Jerzy Grzegorzewski was in his artistic...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
“The Devil Wears Prada” and Other… by Lisa Monde 8th February 2026
“Figures In Extinction:” A Dance Trilogy Report by Maria Wojtan, Magdalena Borowska, Natalia Rutkowska, Barbara Herbasz 17th March 2026
Tim Crouch’s “The Tempest” at The Globe by Duška Radosavljević 1st April 2026
From Shakespeare To Contemporary Montenegrin… by Ivanka Apostolova Baskar 25th March 2026
“Digital Access To The Performing Arts”… by The Theatre Times 7th March 2026
Poetry: The Realm Where Unrealized Ambitions Find… by Ivanka Apostolova Baskar 19th March 2026
Marketing, Sales And Production Are Crucial For The… by Ivanka Apostolova Baskar 16th March 2026
The 2026 International Ibsen Award: A Reflection On… by International Ibsen Award Committee 2026 27th March 2026
“Is Love Energy Or Matter?” An Interview With Rok… by Ivanka Apostolova Baskar 11th March 2026

Recent Posts

David Yazbek: The Master of Adapting Films into Musicals. An Exclusive Interview 2nd April 2026
The Auto-fictional Mode As A Variation Of Biographical Material In The Theatre 1st April 2026
Tim Crouch’s “The Tempest” at The Globe 1st April 2026
On Fire: Luciana Acuña’s “Bailarinas Incendiadas” (Dancers in Flames) 29th March 2026
The 2026 International Ibsen Award: A Reflection On The Winner By The Committee 27th March 2026
Sibling love and loss: Alfredo Sanzól’s new play at Madrid’s Teatro María Guerrero 26th March 2026
Moving Emphasis On Tolerance And Courage In “Nasser # 7 Leben” At The Schnürschuh Theater Bremen 26th March 2026
From Shakespeare To Contemporary Montenegrin Authors, I Aim To Connect With Society Through The Works I Choose 25th March 2026
New York City Fringe Begins April 1 25th March 2026
To speak out or not to speak out?: Claudio Tolcachir directs “Mejor no decirlo/You Shouldn’t Have Said So” at Barcelona’s Teatre Goya 24th March 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest